Word: oberons
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FlyBy thinks that might be how it would feel if it watched the play WATERBOARD, an Institute for Intermediate Studies production. Club Oberon in Harvard Square will open the play on Sunday...
FlyBy thinks that might be how it would feel if it watched the play WATERBOARD, an Institute for Intermediate Studies production. Club Oberon in Harvard Square will open the play on Sunday...
...overture to “Oberon,” an opera by Carl Maria von Weber, was first, and HRO’s rendition was both articulate and spirited. Rebecca L. Gruskin ’11 opened the piece with a solemn, clear horn call that, in the opera, would signal the beginning of the Elf-King’s quest to save the hero, Huan. Gruskin was impeccable throughout the evening, and when the call returned, it was as clear but more optimistic, fitting the music perfectly. The strings were agile both dynamically and technically, evoking a mystical landscape...
...Thankfully, “A Midsummer Night’s Dream” was sufficiently captivating as a ballet that, despite minimal character interpretation, the dancers excelled as masters of their craft. Most impressive were Oberon and Titania, King and Queen of the Faeries...
...Reyneris Reyes, as Oberon, was the most powerful dancer of the evening. While his leaps were impressive for their grand size and his turns for their prolonged timing, his complex footwork, though much less noticeable, displayed a flawless execution. Lorna Feijóo, as Titania, complemented the power of Oberon with beautiful lyricism. Despite a slight flaw in the opening lift—perhaps due to opening night nerves—she articulated her character with graceful, beautiful lines...