Word: objecters
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...person seminars were some of the only small undergraduate courses taught by the department’s faculty. Now that they are gone, face-to-face interaction with a professor is a reality for only a handful of students in the College’s largest concentration. We strongly object to the elimination of this program and implore the department to make every effort to find a viable alternative to make up for the loss of these seminars...
...space travel survivable at all? Because all speed is relative. A satellite orbiting Earth may be moving at 17,500 m.p.h., but so is every other object in the same orbital corridor. Relative to one another, they're standing still. If one happened to speed up to 17,505 m.p.h., the most it could do is nudge another ship at 5 m.p.h. Attaining orbit is like entering an expressway: the tricky part is merging; once you're there, all you have to do is maintain your speed, and you'll be fine. (Read "Are We Bringing Our Germs to Mars...
...that Becky has absolutely hideous taste. Whether this is intentional, only costume designer Patricia Field (Sex and the City) knows for sure. What Carrie Bradshaw might have pulled off, Becky sinks under. Colors, plaids, accessories, boots - it's all garish; she doesn't wear or carry a single appealing object for the length of the movie. This is oddly comforting. We're officially 14 months into this recession, and many of us are not just tightening belts but swearing off shopping altogether. Confessions, perhaps inadvertently, assures us that being deprived of Gucci boots can be a good thing...
Here's how: at 14 months of age, pointing toward an object is the way most kids use gestures. If a parent responds to that gesture by verbally identifying the object - by saying, "That's a doll," for example - children get a head start on growing their nascent vocabularies. "That's a teachable moment, and mothers are teaching the kids the word for an object," says Goldin-Meadow. She also believes that lively gesturing (like clapping) could allow kids to better understand new concepts (like happiness) simply by giving them a visceral way to express them...
...frequented natural history museums for years, also collaborated with the late paleontologist Stephen Jay Gould on three books (including “Crossing Over Where Art and Science Meet”). She is living proof that interdisciplinary researchers not only exist, but can apply different insight to an object of study.Purcell believes that an artist and a scientist can make a “powerful team”; yet she makes the distinction between a scientist and a natural historian, the latter of which relies more on observation than experimentation to come to conclusions about the natural world...