Word: objections
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Dates: during 1960-1969
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...week behind Israeli lines. In Hebron, a grenade was tossed into a truckload of sightseers. A bomb hidden in a paint can went off in Tel Aviv. A synagogue was blown up in Kfar Saba. In a Haifa market, a 17-year-old youth tugged at an odd-looking object embedded in a watermelon and triggered an explosion; police found several more booby-trapped melons near by. In all, terrorist action killed one and wounded 13. Against this background of violence, Israeli Prime Minister Golda Meir called for adherence to the cease-fire resolution, adding grimly that "I must point...
...work on opposite sides of the continent, their similar approaches to painting have brought them both to a kind of stylistic halfway house between representationalism on the one hand and formal geometry on the other. Both are romantic abstractionists who have preserved on canvas a sense of place and object without the aid of recognizable images...
...descent into the sex-and-violence filled world of the lower classes. The allure of a cabaret singer (Marlene Dietrich) leads Professor Rat (Emil Jannings) from the comfortable, orderly existence and, to complete the Expressionist myth as practiced in German movies, subverts his normal conduct until he becomes an object of the townpeople's scorn. The economic theme in this plot, closely related to the real and feared decline of the German middle classes in the 20's, satisfyingly gives American film critics one of the few social facts in their consciousness. No wonder they include they include Josef...
...ambiguous, undifferentiated reality into sets of contradictions; their stance toward reality is ironic. But the means and indeed than creating (or reconstructing) events, attempts to situate himself in the midst of them. Though he does not relinquish his personal reference point, his personal reference point, his subject is an object trouve, a "real-life drama," and the structure of his film is determined by the nature of that subject in action. From this aesthetic of minimum interference are derived the techniques of direct cinema, the result of ways in which these film-makers are forced to work (since they cannot...
...toward becoming one of those uppermiddle class brats, and his dog really does growl at him -- on the phone, yet. Twelve years he's been married; twelve years of his live shot to hell. That's why Jack Lemmon is able to make Brubaker so much worthier an object of sympathy (or empathy, depending on your age group) than Benjamin. Braddock stumbles through situations picking up the emotional cost with a sort or moral charge plate...