Word: objections
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Dates: during 1960-1969
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...have just read the article "The Government in Exile" in the convention issue [Sept. 6]. Taken altogether, it was a good report, although it contains a number of minor errors of fact. There is, however, one statement in it to which I must object most vigorously and for which I must request a correction. I never called Jesse Unruh or anyone else a "son of a bitch." Moreover, Jesse Unruh did not double-cross me at any time at the convention. He honored every commitment that he made to me and was completely open and honest at all times...
There may be a great deal of latent opposition to Harvard's establishmentarian, title-laden choices for honorary degrees. But it's unlikely that the opposition will be voiced, because the degrees just aren't important enough to object to. If the Fellows want to beef up their Commencement party, why spoil their...
...drawings and constructions that goes on view next month at Manhattan's Pace Gallery. Included will be drawings that date back to the early 1960s, when he and other young artists were rebelling against the prevailing mode of abstract expression. Samaras' way of celebrating the long-ignored object was to summon up his disturbing Macedonian memories. Matchbook and spectacles, in a 1962 ink drawing, were depicted with the stark frontality of a Byzantine icon. Samaras also created silvery, pin-encrusted books and boxes that suggested silver reliquaries. They were packed with knives and razors, nails, stuffed birds...
...mirrors and broken glass from a chandelier. These perilous playthings metamorphosed themselves in his mind into icons against the savage man-made destruction outside. Today Lucas Samaras continues to craft them into prickly, disturbing drawings and assemblages. They suggest that pain and anguish lurk in the commonest household object, yet at the same time they glitter with a prideful...
...them. Best of all is Marc Pico, a young French documentary-film director making his debut as an actor. I He does not so much play Antonio as become him, reflecting with puzzlement and pain the bitter reality of a man who sees himself turning slowly into an imprisoned object...