Word: objectively
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Dates: during 1980-1989
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...Bears. No holiday season would be complete without a few cuddly creatures. Calliope (33 Brattle) sells three inch high antique bears, for just $3. If money is no object, check out their huge Paddington for $350. For those who are tired of intellectual dining hall conversation, there's always the $89 animated Teddy Ruxpin at FAO Schwarz (40 Newbury...
Some members of the community may object to a plan which provides housing for the homeless within the University neighborhood. However, judging from the outcry over last year's removal of homeless men from Leverett House heating grates, there seems to be a real sensitivity for the plight of the homeless. Given that the presence of the Lutheran Church shelter seems to be tolerable, it is likely that such a transitional living center would be an innocuous, and even welcome, addition to the neighborhood...
...help win the release of American hostages in Lebanon on one condition: if the Reagan Administration provided Iran with a "good faith" shipment of weapons. In September McFarlane told Kimche that Reagan opposed any arms-for-hostages deal, but some U.S. officials assert the NSC chief did not object explicitly to Israel's supplying Iran on its own. Israel delivered a planeload of arms to Iran that month; just days later, Hostage Benjamin Weir was released...
...Bears have watered down their stomp a little this year, skirting the likes of Detroit (13-7), Philadelphia (13-10) and Atlanta (13-10), winning all the same. They have not only beaten but joined the media. A Bear without his own radio show has become an object of pity. McMahon, Ditka, Linebacker Mike Singletary -- everyone but William ("the Refrigerator") Perry, it seems -- have penned monographs to last season's glory. Perry is thinking about a cookbook...
...beyond ingenious deployments of volume and line. He took off for Mexico with his lover Tina Modotti and one of his sons. He spent the next three years rubbing shoulders with the muralist Diego Rivera, dodging the postrevolutionary turmoil and making pictures under the Mexican sun that specifies every object it falls upon. Among them were a series of vivid head shots, like his startling portrait of Manuel Hernandez Galvan, 1924, that use the subjects' plain vitality to confound the impassivity one expects from monumental figures. The Mexican portraits show that Weston had absorbed the principles delivered...