Word: objectively
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Dates: during 1990-1999
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Even if the posters were created lightheartedly or in jest, these slogans are so obviously contrary to the idea of women's liberation and female empowerment that I am embarrassed as an actor and a woman. I strongly object to being referred to as "Adam's rib," and the idea that women's theater is performed so that guys can drool over us is obscene...
...that appears to track the shroud back long before 1260. Wilson finds several European references to what appears to be the shroud in the early 1200s. But more important, he seems, through historical detective work, to have connected it to something called the Edessa Cloth. A historically well-documented object of reverence in Constantinople for 350 years, the cloth disappeared when the Crusaders plundered the city in 1204. Most Byzantine witnesses described it as being a mystically precise likeness of Jesus' head. But Wilson cites a 13th century memoir by a French soldier, housed in the Royal Library in Copenhagen...
...selected conscientiously and on the advice of textile experts. Contradicting Adler, he maintains, "We stayed away from charring and what might have been charred." Beyond that, the samples were cleaned both mechanically and chemically to rid them of contaminants. In fact, charring per se does not alter an object's carbon 14 ratio: scientists routinely use the method to date pieces of charcoal...
Several years later, when the three labs, the University of Arizona among them, produced their wet-blanket dates for the Turin shroud, a possibility flashed through Garza-Valdes' mind. What if the shroud too had a "bioplastic" varnish--and the labs had been fooled into decreeing an object younger than it actually was? In May 1993 Garza-Valdes traveled to Turin, microscope in hand, and was put in touch with Giovanni Riggi, the microanalyst who had parceled out the 1988 samples. Riggi let Garza-Valdes examine a tiny piece of shroud that he assured him came from the same batch...
...think maybe sexual preference might have some potential in this regard. Wendy Wasserstein, the playwright, obviously does. She's been trying to get an adaptation of Stephen McCauley's novel The Object of My Affection off the ground for something like a decade. It offers a gay guy named George (Paul Rudd) getting jilted, taking a room with a straight woman named Nina (Jennifer Aniston) and having them fall into, yes, affection. On her part, though, that develops into something a little more intense, especially when she contrasts his sweetness to the abrasiveness of her straight lover, Vince (John Pankow...