Word: objectives
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...touching of your breasts for a minute," Lewinsky gets asked at one point in her testimony. "Was that then through clothing or actually, directly onto your skin?" The seamy, repetitive questions laid bare the puritanical monomania that infects this mad pursuit: "Would you agree that the insertion of an object into the genitalia of another person with the desire to gratify sexually would fit within the definition used in the Jones case as sexual relations...
That is not to say that I've been the object of overt religious persecution, an evil whose history and legacy I take quite seriously. It does mean, however, that a palpable sense of the passe has informed almost every lecture that has made mention of God in the three years of classes I've taken. It seems as though my professors and most of my classmates share a common "knowledge" about the inanity of a belief in God and think that some of us have simply missed a great enlightenment. To a certain extent I agree--not with...
TIME contributor Leon Jaroff has long been a star to his colleagues and readers. We're therefore pleased to announce that he is being officially recognized as a celestial object. On Aug. 8 the International Astronomical Union voted to change the name of the asteroid previously known as 1992WY4 to the 7829 Jaroff. Eleanor Helin, an astronomer at the Jet Propulsion Laboratory in Pasadena, Calif., who discovered the asteroid in 1992, recommended the name to honor Jaroff's "well-researched, insightful articles and essays on scientific subjects" and his efforts to "draw attention to the issue of NEOs [near earth...
There is nothing slack about the apparent softness of his interiors and still lifes, like the great Dining Room Overlooking the Garden, 1930-31. The light shifts and shimmers, and some of the objects on the table are drowned in it. Here is a jug, there a cup, there a brioche--but what is that oval yellowish object on the right of the tabletop? Forms sink against the light, and at first you hardly even see the ailing Marthe in her housecoat at the left edge of the painting, timidly holding her cup. Yet, as so often happens with Bonnard...
...general emphasis on the decorative. Their prototypes came from Japanese prints and the influence of Paul Gauguin. And they had close ties to Symbolism. Their literary god was the poet Stephane Mallarme, who had conceived of poetry as a structure of words and absences: "To conjure up the negated object, with the help of allusive and always indirect words, which constantly efface themselves in a complementary silence." This was very close to the effect of Bonnard's still lifes and interiors, with their incessant qualification of color within color; their exquisite play of large, vague shapes and smaller, intensely worked...