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...straight and one curved. The title of the work tells us they are "To be Bent with the Eyes." Beneath the bars, a graph paper background adds pseudo-scientific validity to the notion that over time our vision will exert some kind of material force on the art object. Here Meireles makes us his collaborator, and we can only wonder how many viewers it will take until the bars curl completely and break through their...

Author: By Scott Rothkopf, | Title: Defining the Politics of Perception | 3/6/1997 | See Source »

...thoughtfully installed show which explicitly explore the viewer's relationship to the work of art by confounding normal perception. One of Brazil's most important contemporary artists, Meireles is often associated with Conceptual Art, which engages the viewer with an idea rather than an actual art object. Meireles, like the most famous Conceptual artists, including Joseph Kosuth and Lawrence Weiner, gained critical acclaim in the 1970s. Through the medium of language, Kosuth and Weiner examine such issues as the commodification of the art object as well as the relationship between art's visual and intellectual impact...

Author: By Scott Rothkopf, | Title: Defining the Politics of Perception | 3/6/1997 | See Source »

...What I object to almost as much as the harassment, however, is the way Steckler has chosen to deal with...

Author: NO WRITER ATTRIBUTED | Title: Punishment Will Fuel Intolerance | 3/6/1997 | See Source »

...reason it takes half of Garland's moody tale for Kerouac's ghost to tap the reader on the shoulder is that the feel of the two novels could not be more different. On the Road was loony, funny, electric; The Beach is listless, pallid, drifting without object...

Author: /time Magazine | Title: BOOKS: A HOST OF DEBUTS | 3/3/1997 | See Source »

...Diego zoo, a first date for the panda pair. Object: baby makes three...

Author: /time Magazine | Title: Notebook: Mar. 3, 1997 | 3/3/1997 | See Source »

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