Word: objectivity
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Dates: during 1960-1969
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...water, yellow for air and green for earth), he triggers photoelectric cells that set in motion a rapid-fire sequence of images, lights and sounds. Nature lovers (green) find themselves contemplating a skeleton emerging from a pregnant woman, a wheat field, a graveyard. "People become part of the art object," Martin explains. "They score it. They compose it. I supply the format...
...seem to be terms of praise more suited to serious drama than comedy. But these are precisely the qualities lacking from too much stage comedy, and especially from comedy of ideas. An audience must be able to laugh, but it must also be able to respect itself and the object of its amusement afterwards. Among the many, many moments of laughter in this Caesar and Cleopatra, none is cheapened or distorted. And that is an accomplishment in itself...
...well as the price of a unit. Besides they say, most people are so indifferent to sound that they are not even aware that many sets have tone-control knobs Still, the fact that thousands of viewers also own high-powered stereo rig: suggests that they may well object to the feedback, spotty pickups or imbalances that occur when Carol Burnett drowns out Jack Jones in a duet, or the band on The Ed Sullivan Show blasts through a crooner's ballad. To compensate, about one-third of the singers on TV practice "lip sync"-mouthing the lyrics...
...Star. Using the coordinates given by Hewish, Astronomer Frank Drake trained the giant Arecibo, Puerto Rico, radio telescope on pulsar 3 and discovered that each of its signals was composed of two closely spaced peaks. The peaks were so sharp, he said, that the signal may originate from an object as small as a few hundred miles across; if pulsar 3 were much larger, the peaks would be gradual and less distinct. Using England's Jodrell Bank radio telescope, Astronomer Graham Smith discovered that the radio waves from pulsars are polarized, indicating that they pass through a magnetic field...
Joseph Seamans is a remarkable photographer, whose exhibit photos accomplish something that most photographers, including the best, are rarely able to do with their cameras. His photographs describe the relationship of the space around an object to that central object and all the other objects in the picture. In one picture of a girl looking a her hand, the walls on both sides of the room and the table at the bottom of the frame form a Renaissance perspective leaving the girl in a clearly defined central position with her hand sillouetted against the window. His technique isn't heavy...