Word: objectivity
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Dates: during 2000-2009
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...suggest that all whaling is morally wrong, without distinguishing between harvesting endangered species and those that are plentiful, namely the minke whale. You stated that Norway "openly flouts" the rules of the International Whaling Commission (IWC). Although the IWC banned commercial whaling, Norway is within its rights to object to the rules and set its own catch limits. Having eaten whale and enjoyed it, I fail to see any moral difference between eating whale and eating beef, as long as we are responsible in utilizing the resources of the planet. Jan Magnussen Old Lyme, Connecticut, U.S. Preparedness Pays...
...organization called the World Juggling Federation (WJF), dedicated to promoting juggling as a sport, not a sideshow. There are no clowns in the WJF. In WJF events, contestants are judged on the difficulty of their routines and the technical skill with which they execute them, and nothing else. The object is not to entertain but to win. "I wanted to see people competing like athletes," Garfield says. "Kind of like an X Games for juggling...
...said so myself." (He enjoys hearing other people talk about him nearly as much as he enjoys talking about himself.) But his marriage was more in the nature of a business arrangement - something between a merger and an acquisition. "I love her as a collector does his most prized object," he tells us. "Once acquired, it becomes all he lives...
...most contrary lines: “I was drawing a pink unicorn, and then everything was futile.” Linus (Andrew G. Sullivan ’06) reaches equal heights during “My Blanket and Me,” an ode to his most beloved object. To him, blankets can be just as addictive as brandy, coffee, or cigarettes. Words aren’t even necessary to stand out in this musical. Woodstock (Samantha K. Biegler ’08), a character this company brought to the stage from Schulz’s strip, manages...
That probably gets at some of the truth of it. The world has changed, and the novel has changed with it. Fictional characters just can't get away with being generically white and middle class and male anymore, the way they used to. Not and still be the object of mass identification and adoration the way the Voice has traditionally been. We just don't think about people that way anymore: we're interested in the specifics of their racial and ethnic and historical circumstances, where they came from and who made them that way. If the novelists under...