Word: objectness
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Dates: during 1970-1979
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...object to the bad habit that people have of calling anyone they don't understand a "radical." McGovern's programs are being labeled socialistic and radical. No one seems to remember that in 1932 F.D.R. was called a socialist and a radical, too; yet he was elected President for more terms than any man in American history...
...youngest Ohio delegate, disagrees. "If the nomination is stolen," he said last week, "then it may be the last chance for the system." At the same time, Thompson, who has been working in Ohio campaigns ever since he watched the Chicago debacle on television four years ago, would not object to McGovern's drifting to the right in order to build a larger constituency. "We want to elect a President," he said. He has nothing but contempt for Jerry Rubin and Abbie Hoffman and their codes of manic anarchy. "Their philosophy of 'Do It!' is laughable. They...
However, such faults do not much mar Macunaima as they might a more tightly-constructed film. The atmosphere is more one of frivolity, with nothing to be taken too seriously. Even the censors, apparently, could do little but laugh. They had nothing but sex to object to since the only difference between Macunaima and the capitalist villain Venceslau is that the villain has all money can buy and wants more; while Macunaima has no money but does possess all that villain wants; charm, good looks, and the girls to prove...
...closed inside." In the moody, half-toned study of an aristocratic Jewish family in Fascist Italy, Dominique played the sheltered, unworldly daughter. In The Conformist, another brilliant film about the same era, she was the lesbian wife of an anti-Fascist exile. In her newest movie, John Frankenheimefs Impossible Object, currently being shot in France, she plays a woman obsessed by an adulterous affair with a novelist, played by Alan Bates...
...means to self-knowledge through prolonged application of craft to an unreal problem. It represents a process, not a solution. "Potts," says Art Critic Thomas Garver, in the catalogue introducing the car, "regards the true work of art to be the artist himself. The car is not a public object but a building way to probe more deeply into himself...