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...Bauhaus-type exercises Albers assigned to his students was the root of Rauschenberg's later practice: they had to find "interesting" discarded objects???anything from old tin cans to bicycle wheels to stones?and bring them into class as examples of accidental aesthetic form. Moreover, the stringent color exercises that Albers set would ultimately have a lot to do with the severe paintings Rauschenberg made between 1951 and '53: all-white and then all-black panels, the latter painted over a wrinkled mulch of newspaper, with no relationships of color. Twenty-five years ago, these pictures looked absurd; today they...

Author: /time Magazine | Title: The Most Living Artist | 11/29/1976 | See Source »

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