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...allure, many of the current ads reveal considerably more skin and make a far racier pitch than ever before. One ad, for example, shows a man clad in little but shaving cream, his eyes closed, one arm tightly embracing a scantily clad woman as she wields the razor. The object being promoted: Swatch watches, a trendy Swiss brand. Sure enough, on second look, each is wearing two of them. The broken taboo: seduction in the bathroom...

Author: /time Magazine | Title: Calvin Meets the Marlboro Man | 10/21/1985 | See Source »

...sophistication that comes from long practical experience, as well as from a grounding in the inward splendors of the classic Japanese tea ceremony. Two central concepts of tea culture are sabi and wabi. Sabi conveys the dull sheen of posterity, the finish, mystery and allure acquired by an object that has been well worn. Wabi suggests the use of a humble material for a higher purpose. Both qualities abound in Miyake's best clothes: his coats and dresses cut from one piece of cloth, a man's sweater that looks as if it could warm a wandering trapper but hangs...

Author: /time Magazine | Title: Living: The Man Who's Changing Clothes | 10/21/1985 | See Source »

...workers had simply hoped to elaborate on the Alvarez hypothesis by detecting trace amounts of rare noble gases, like neon and xenon, in the layer of Cretaceous clay deposited during roughly the same period that the dinosaurs became extinct. They were seeking to identify the nature of the object responsible for the impact. Because noble gases collect in carbon particles, the scientists isolated the carbon in Cretaceous sediment taken from Denmark, Spain and New Zealand. To their surprise, all three samples contained carbon that had been deposited at a rate 10,000 times as great as carbon in the layers...

Author: /time Magazine | Title: Science: Comet Fire:Did it doom the dinosaurs? | 10/14/1985 | See Source »

...product of a deliberate attempt to equate consumption and the satisfaction of prefabricated desires with freedom and youthful rebellion, thereby facilitating the production of new conceptions of personal identity which were almost completely dependent upon the possession of status commodities. As cultural historian Stuart Ewen has noted, the object was to capture the interest of the younger generation "since the youth were in general far more receptive to the rhythms of the market than their elders whose concerns were in general, more budgetary." In the process people's values gradually shifted from those generally associated with religion and family...

Author: NO WRITER ATTRIBUTED | Title: Let the Debate Begin | 10/9/1985 | See Source »

...India!" does far less well by the decorative arts. The occasional jeweled jade cup or fragment of ancient carpet does little to bespeak the Indian sense of design. Sculpture is scantily represented, although the first object the visitor sees is a ravishingly full-breasted, round-hipped bronze of the goddess Parvati. Thereafter, however, the erotic in Indian art is discreetly underplayed. Of India's greatest glories, its large-scale sculpture and monumental architecture, there is scarcely even a photographic hint. In all the exhibition, the only room that comes close to conveying a sense of the objects in context...

Author: /time Magazine | Title: Living: Shining Legacy From the East | 9/30/1985 | See Source »

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