Word: oblivion
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Stettheimer was mesmerized by this sense of breakout, its glitter and fun, its internationalism and Americanness. Her art records, and gently satirizes, that zeitgeist. Nobody could call Stettheimer a major artist, but she didn't deserve the half-century of near oblivion that the new show brings to an end. This was partly her own doing: for all her love of camp flamboyance, Stettheimer wanted to arrange the disappearance of her own work and ordered her executors to destroy the contents of her studio. Fortunately, they disobeyed. Her friend Marcel Duchamp arranged an exhibition for her at the Museum...
...films can be made for $7 million (Desperado) or less than a million (Living in Oblivion). They may be based on plays (Jeffrey, from Paul Rudnick's comedy) or novels (Nadja, from Bram Stoker's Dracula). The stars may be esteemed actors (Gabriel Byrne and Kevin Spacey in The Usual Suspects) or the director's girlfriend (Maxine Bahns in The Brothers McMullen). Some sing, the others don't. But all prove that films can be intimate as well as epic, that off-Hollywood is one destination for films of the next century...
...only a movie, Ingmar. Independent movies, like first novels, used to be autobiographical rites of passage. Now, too often, they are about making an independent movie, a format that quickly surrenders to ego and ennui. So Tom DiCillo's Living in Oblivion pleasantly surprises by its cunning. DiCillo's modesty is also his happy arrogance, for this is an indie movie about the filming of exactly three shots in an indie movie...
...guitarist is played by actual movie star Antonio Banderas, but he's still a reluctant gunaholic. ("Bless me, Father," he confesses, "for I have killed quite a few men.") Salma Hayek, a Tex-Mex houri with soulful eyes and bosoms till Tuesday, is the sex interest. And Living in Oblivion's Buscemi drops by to give Desperado the Indie Seal of Approval...
...movie about making movies, "Tom DiCillo's 'Oblivion' pleasantly surprises with its cunning, and by not surrendering to ego and ennui," saysRichard Corliss. This independent movie is about the filming of exactly three shots in an indie movie. "Everything goes hilariously wrong," chuckles Corliss. The boom mike dips into the frame. The idiot movie star unaccountably thinks he's a creative artist -- "imagine Kato Kaelin mistaking himself for Dustin Hoffman." It's a funny film, acted with a deft, manic touch...