Word: obviously
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Dates: during 1970-1979
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About the only thing that could ruin Candide would be slow pacing. Given enough time to dwell on the frothiness of the whole thing, many audiences might become wearied with the obvious foolishness of Dr. Pangloss and company. To guard against such a reaction, Director George Hamlin has turned Candide into a three-ring circus that moves at the speed of light. The set sprawls the width of the theater, using the balconies over the theater entrance and a walkway that cuts through the 30 or 40 seats in the pit. Actors appear from every door in the theater, sometimes...
...expecting the wage and price guidelines to hold." Since President Carter has ruled out mandatory controls, the only other policy choice, in the view of White House advisers, is to raise interest rates. Leaks to the press and other pressures on Miller to tighten money became so obvious before the Open Market Committee meeting that Carter sent notes to Blumenthal and Schultze telling them to stop it. The President did not necessarily oppose the Fed's raising interest rates, but he did not want the voters to blame him for it. Said a White House staff member: "There...
...beginning is obvious but fun. There is no doubt as to what happens to the girls, but there follows more than an hour of ponderous, redundant "evidence," the result of an Agatha Christie-type structure which, Weir irritatingly enough, never fulfills. Weir may be an artist--he certainly makes films that proclaim their profundity--but he seems grounded in camp, and the movie stays shallow...
...develop its characters much behind their pretty faces. Solange, the heroine, has three lovers: two are buffoons, her husband and a stranger he recruited to cheer her up, and one, a thirteen-year-old boy, is sensitive to her need for friendship. The plot is inconsistent, the jokes are obvious, and the direction is heavy-handed. You might find this film a clever and copy French farce--if you're drunk...
...financial need to court its national audience goes beyond the obvious pressure of inflation which strains cultural institutions of every variety. Of all the performing arts opera is the most extravagant--combining as it does the costs of a major theater and a symphony orchestra with the fees of prima donnas and temperamental tenors. An opera house cannot contain more than a few thousand seats without forcing singers' voices beyond their capacity, limiting the revenue available from ticket sales. The Met is squeezing as much as it can out of its ticket-buyers; at $40 an orchestra seat next season...