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...went on to become a Hollywood fixture and one of the industry's more versatile actors; of cancer; in Los Angeles. He survived a run of sensitive-boy roles in the '40s (including Lassie Come Home and How Green Was My Valley) to appear in adult parts ranging from Octavian in Cleopatra (with close friend Elizabeth Taylor) to the chimpanzee Cornelius in the Planet of the Apes film series...

Author: /time Magazine | Title: Milestones Oct. 12, 1998 | 10/12/1998 | See Source »

Oliver Stone: "It was definitely a conspiracy. The soothsayer warning Caesar was in on it from the beginning, but he began to feel pangs of doubt. Obviously Brutus was deeply jealous of his friend, but the conspiracy penetrated still further, probably including the now-emperor Octavian, as well as Cleopatra...

Author: By Tanya Dutta, | Title: BEWARE THE IDES OF MARCH | 3/15/1997 | See Source »

Segal's play starts one year after Julius Caesar's death, when his adopted son Octavian returns to Italy. Octavian wants to reclaim his inheritance, which Mark Antony has stolen, and he is determined to fight for his fortune. Octavian was confident of his military power, but he needed some political clout, so he persuades Cicero to come out of retirement, go back to the Senate, and challenge Mark Antony's supremacy...

Author: By Jennifer L. Mnookin, | Title: Bailey Goes to Broadway | 10/16/1986 | See Source »

...Octavian gets corrupted, and makes a deal with Mark Antony--"at that point, Cicero is finished," Segal says. Octavian is forced to sign for Cicero's execution--reluctantly, he does...

Author: By Jennifer L. Mnookin, | Title: Bailey Goes to Broadway | 10/16/1986 | See Source »

...stage; there is little of the distracting crosscutting or ogling close-ups that later video directors have found so irresistible. One surprisingly awkward visual moment, though, occurs in the middle of the most famous line in the opera, the Marschallin's worldly wise "Ja, ja" as she withdraws from Octavian's life. Here the film leaps in mid-utterance from a long shot of Schwarzkopf to a close-up, calling attention to the camerawork when the viewer's concentration should be on the poignancy of the moment. Although the color has faded somewhat, giving the film an antique...

Author: /time Magazine | Title: Music: A Night Or Two At the Opera | 10/28/1985 | See Source »

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