Word: octavius
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...just three buildings of nine floors of concrete and steel beams sitting idly on some of the most expensive real estate in the country. I pass three more abandoned sites - 63 empty steel floors of the Fontainebleau, a sad unfinished shell that was supposed to be Caesars Palace's Octavius Tower and two cranes halted on a structure that was supposed to be a St. Regis condo building. I then drive up to where the New Frontier was razed to build a resort modeled on New York City's Plaza Hotel. It's just a dirt wasteland, so ugly that...
...large, boisterous actor-singer best known for playing Andy Brown in the early-50s TV series "Amos 'n' Andy." In early-talkies Hollywood he had worked as a sound technician for Christy Studios, helped write a series of black-cast shorts based on the stories of Octavius Roy Cohen and appeared in all four Herb Jeffries black Westerns of the late 30s. In 1940 he wrote and appeared in the cheapie black-cast horror movie "Son of Ingagi," He was then hired by Dallas exhibitor Al Sack to write and direct films, apparently with a minimum of front-office interference...
...Harvard, Richard A. Nenneman `51 wrote his honors thesis on Octavius Brooks Frothingham, a New York religious figure who converted to the Christian Science faith in a search for religion that would not shoehorn him into a specific creed...
...sends fraudulent news of her suicide to lure Antony back to her palace but drives him instead to his own death. Intermingled are the tragic stories of Antony's two wives--Fulvia and Caesar's sister Octavia (Margaret Hulce '01)--and his faithful accomplice Eros (also played by Hulce). Octavius Caesar (David Egan '00) broods over the play like a wise, omnipresent deity...
...rest of the cast is as solid as one might expect from the ART. Some of the actors choose to exaggerate the comic tendencies of their characters: Ripley turns the incurable romantic, "Ricky-Ticky-Tavy" Octavius into a singing, simpering, sentimental fool; Jack Willis, in a minor satiric role as an American industrialist buying his way into ancient English titles and estates, makes a caricature of himself with his loud, hearty declamations and zestful crudeness of manner. Geidt lacks Mephistophelian finesse as both Mendoza and Satan, but is nicely balanced by Epstein who is superb as the stiffly and stuffily...