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Among the first attempts to make order out of this chaos was Caltech Physicist Murray Gell-Mann's theory, "The Eight-Fold Way." Gell-Mann lumped the known resonances together in orderly octets; their snowflake-like symmetries left slots for particles that were still unknown. But one octet seemed out of kilter. Unless, predicted Gell-Mann, a particle designated the phi-meson was found...

Author: /time Magazine | Title: Nuclear Physics: Not As a Stranger | 4/26/1963 | See Source »

...Staying one step ahead of his critics. Senior Statesman Cage is already proclaiming aleatory music passe -he prefers to think that his own brand of "indeterminacy" is the ultimate in pure chance. But he will have to go some to surpass English Composer Cornelius Cardew, 26, who in his Octet '61 for Jasper Johns* includes a vague injunction to "Do something completely different," or Argentine-born Mauricio Kagel, 30, who in his Sonant, made himself obsolete...

Author: /time Magazine | Title: Music: Composing by Knucklebone | 4/13/1962 | See Source »

...invited free of charge, and lunches may be brought. Each Wednesday the selection is related to a work of art. Next week: Mozard, Cost fan tutte; Hindemith, Mathis der Maler (Wed.); Schuller's Seven Studies on Themes by Paul Klee (Wed.): Stravinsky's Apollon Musagete; and Schubert's Octet...

Author: NO WRITER ATTRIBUTED | Title: Summer Notes | 7/20/1961 | See Source »

...vocal compositions, has written some highly praised pieces (Divertimento for Norvo, Concerto for Clarinet and Combo) for chamber jazz groups. Juilliard trained and, like Eaton, a Roger Sessions pupil, Smith, 34, was a fellow student with Dave Brubeck at Mills College and a charter member of the original Brubeck Octet. He is still under contract to Brubeck, is on leave from his teaching post (composition) at U.S.C...

Author: /time Magazine | Title: Music: Bilingual Jazz | 7/7/1961 | See Source »

...What they lack is ideas. Technical equipment is not important. When Beethoven wrote his piano sonatas, he anticipated the Steinway piano." Certainly the public still seems to appreciate the human touch. The biggest personal hit at Venice was U.S. Composer William Smith, a member of the original Dave Brubeck Octet. While his eight-minute electronic Improvisation, replete with amplified clarinet key clicks, breath noises, and echo chamber effects, boomed over the loudspeakers, Clarinetist Smith stood by improvising. For the only time in the entire congress, the audience was moved to applause...

Author: /time Magazine | Title: Music: B-z-z! Br-a-ang! Br-a-ack! | 4/21/1961 | See Source »

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