Word: octopuses
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Dates: during 1930-1939
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...Dear Octopus (by Dodie Smith; produced by John C. Wilson). In real life the English surround their country houses with high hedges, for privacy. But in the theatre, English country houses are always ostentatiously on display. Dear Octopus provides the latest sentimental exhibit, peopling the manorial hall with one of those varied but unvarying families who know what Britannia-and the more genteel theatre public-expect of them. Every item in the ritual is carefully observed...
...meant at the very least that Czechoslovakia was subjected to a full day of increased "pressure" and agonizing uncertainty. It caused John Bull to cut momentarily the figure of a man who starts to saw off the leg of a friend when he sees the ankle grabbed by an octopus, as Cartoonist Jerry Doyle of the New York Post observed (see cut). Editor Dawson, three days after his "sawing" editorial, made amends. He praised the speech of Czechoslovak President Benes (see p. 19) as "a model of what a public utterance should be," denounced No. 2 Nazi Göring...
...round-faced, dapper Charles Oilman Norris quit his job as a magazine editor and wrote a novel. He was galled because his chief claim to fame was that he was the husband of Kathleen Norris and the younger brother of the late, famed Frank Norris (McTeague, The Octopus...
...goggle fisherman, wearing watertight glasses, a bathing suit and earplugs, dives down into an underwater paradise which is, as Author Gilpatric describes it, half marine science laboratory, half Freudian dream. There, armed with a spear, he harpoons a mullet, merou, moray, ray, octopus, none of which is so suspicious of man underwater as of man out. Besides being better exercise than most fishing, goggle fishing has one further sporting advantage: It exposes the fisherman to some risk of being the victim as well as victor in the game. On one occasion, when a large octopus wrapped itself around Fisherman Gilpatric...
...Octopus (First National). Hugh Herbert and Allen Jenkins as a pair of dimwit sleuths come to death-grips in a lighthouse with an underworld menace known as The Octopus. Lost documents, a character using a hook instead of a hand, secret stairways, octopus tentacles and poison gas are handled in pseudo-mysterious manner, sometimes reminiscent of George M. Cohan's famed burlesque, The Tavern, sometimes just good-natured hokum...