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Berg's best tone is retrospective: a voice from the grave, or rehab, or the front-porch rocker of memory. That ode to loss, Back When We Were Beautiful, finds its power in the pain it evokes. Tough sentiment, gorgeous song, terrific scrapbook of an album...

Author: /time Magazine | Title: MUSIC: UP COUNTRY: COMPOSER MATRACA BERG SCORES AS A SAVVY SINGER | 10/20/1997 | See Source »

...analyze shit, and how I perceive things/my style is real like lamb skin imported from the Persia/follow my excursion until you feelin' the new revised version." Simultaneously silly and ferocious, Busta takes lyrical risks unlike many rappers today. Only on "Get High Tonight," another tired rap ode to marijuana, does Busta the lyricist fall flat. His rhymes are so trite and delivery so weak that not even a chorus built on K.C. and the Sunshine Band's "Get Down Tonight" can save...

Author: By Brandon K. Walston, CONTRIBUTING WRITER | Title: [living large] ON A BORING BACKGROUND | 10/3/1997 | See Source »

www.annalive.com This tacky ode to Anna Nicole Smith offers dating tips (but no geriatric pickup lines) and a personal "cool" list (No. 2: "Norway and My Norwegian Fans...

Author: /time Magazine | Title: Techwatch: Sep. 29, 1997 | 9/29/1997 | See Source »

...fully intact set of 65 ceremonial bronze chimes entombed in China's Hubei province in 433 B.C. and dug up by amazed archaeologists 2,400 years later. Then the Hong Kong Philharmonic steals in with a simple yet radiant tune in D major--the key of Beethoven's Ode to Joy--and a children's choir begins to sing, accompanied by the soft throb of Chinese drums pounding out an African-flavored beat...

Author: /time Magazine | Title: MUSIC: NO MORE EAST OR WEST | 8/11/1997 | See Source »

...seen, say, an episode of NYPD Blue, and the melodrama is often heavy-handed. What transforms the show is Coleman's vital, jazzy score--his best since Sweet Charity--and Michael Blakemore's crisp, less-is-more staging. The show starts out in high gear with an infectiously cynical ode to self-interest (Use What You Got), sung by hustler-narrator Jojo (the excellent Sam Harris), and keeps topping itself. Lillias White, as an over-the-hill hooker, brings vivacity and soul to Gasman's clever lyrics ("I'm getting too old/ For the oldest profession"), and the driving...

Author: /time Magazine | Title: BRING IN 'DA TUNESMITHS | 5/5/1997 | See Source »

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