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...volume's best poems, The Grove,* translated by R.A.D. Ford, Canadian Ambassador to Moscow and a poet in his own right, is an ode to the natural world in flight from man, who would destroy...

Author: /time Magazine | Title: Soviet Union: A Depot of Metaphors | 5/18/1970 | See Source »

Divorced. By Bobbie Gentry, 27, leggy pop singer (Ode to Billie Joe, 1967); William Harrah, 58, owner of Nevada's biggest gambling casino, Harrah's Club at Reno and Lake Tahoe; on grounds of incompatibility after four months of marriage; in Las Vegas...

Author: /time Magazine | Title: Milestones: Apr. 27, 1970 | 4/27/1970 | See Source »

...That is the poignant internal music of Camino Real, the sound of one heart breaking. Unfortunately, the play is too diffuse and episodic to record that sound resonantly. Williams oscillated between writing an ode to the romantic imagination and a bitter philippic against life's raw deal. El Camino Real was once the royal highway from Santa Fe to Chihuahua, Mexico. In the play it becomes a literal dead end, a pothole of a tropical police state where the street cleaners lie in wait to cart away the appointed victims. These include some of the great romantics of history...

Author: /time Magazine | Title: Theater: One Heart Breaking | 1/19/1970 | See Source »

...Reivers is a raucous, good-natured ode to the end of innocence -a kind of motorized Huckleberry Finn. William Faulkner's original novel spun a mellow tale about an eleven-year-old lad named Lucius McCaslin and his wild-eyed adventures on a trip to Memphis in 1905. Screenwriters Irving Ravetch and Harriet Frank Jr., having done previous Faulkner adaptations in The Long Hot Summer and The Sound and the Fury, by this time know the Yoknapatawpha territory more than passing well. Their sharp and reverent screenplay, featuring a felicitous narration by Burgess Meredith, helps make The Reivers...

Author: /time Magazine | Title: Cinema: Southern Reconstruction | 1/5/1970 | See Source »

...photography of Conrad Hall. It Is obvious from the opening scenes, however, that this is most deeply Director Polonsky's picture. Author of the remarkable script for Body and Soul ("Everybody dies!"), Polonsky made his directorial debut with another John Garfield movie, Force of Evil, in 1948. An ode to gangsterism and individual morality, it passed almost unnoticed on initial release. As a lifelong proponent of the sort of radical politics frowned upon during the witch hunts of the 1940s, Polonsky did not long escape the scrutiny of the House Un-American Activities Committee. Bludgeoned by the Hollywood blacklist...

Author: /time Magazine | Title: Cinema: The Exiles | 12/19/1969 | See Source »

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