Word: odes
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...them, unfortunately, are terrible. It is Playwright Arthur Miller's first picture and the late Clark Gable's last. It is a routine gland opera, an honest but clumsy western, a pseudosociological study of the American cowboy in the last, disgusting stages of obsolescence, a raucous ode to Reno and the horrors of divorce, a ponderous disquisition on man's inhumanity to man, woman and various other animals, an obtuse attempt to write sophisticated comedy, a woolly lament for the loss of innocence in American life and, above all, a glum, long (2 hr. 5 min.), fatuously...
Celebrating his 60th birthday, Composer Copland last week mounted the podium at Carnegie Hall to lead the New York Philharmonic in two compositions-Symphonic Ode (1929) and El Salón México (1936)- that illustrated the range of his own creative career...
...Paris studies with Nadia Boulanger in the mid-1920s, Brooklyn born Aaron Copland was known as a restive talent. Looking for "a usable past," he experimented first with jazz in the wiry, jaunty Music for the Theater (1925), later wove it into the strident and monumental style of the Ode, which to his mind marks "the end of the first period of my work." A later period was inspired by Cop land's feeling that the American composer was losing touch with his public. In the late 1930s he began to write his often criticized "popular-style" music, typified...
...Wellington's Victory (Morton Gould and his Orchestra; Victor). A rare lapse of genius, the so-called "Battle Symphony," written in 1813 when the composer was at the height of his powers (he had just finished the Seventh and Eighth Symphonies), is a fascinating but vulgar and bombastic ode to Wellington's victory over Napoleon. Frankly composed to make money and originally intended for the panharmonicon, a sort of early stereo machine built by a German inventor in which nine different types of instruments were operated mechanically, the piece includes a rumbling God Save the King, an absurdly...
Impatient for Fame. Rudolph got his training at Harvard from one of the fathers of modern architecture, Bauhaus Founder Walter Gropius, but he now casts a baleful eye on the master's own early work. "I doubt," says Rudolph, "that an ode ever got written to a flat-topped building in the sunset." Graduating with top honors from Harvard after a tour in the U.S. Navy (officer-in-charge, ship construction, Brooklyn Navy Yard), Rudolph was impatient for fame, admits he became a "structural exhibitionist." For instance, he put a fancy catenary roof on a 20-ft. Florida guesthouse...