Word: odessa
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There are the familiar De Palma touches: lots of photogenic blood, a gorgeous tracking shot that leads our heroes from euphoria to horror, an endlessly elaborate set piece reminiscent of the Odessa Steps sequence in Potemkin. But the director's chief contribution is to the film's handsome physical design. "I wanted corruption to look very sleek," he says. "Some people in positions of power with ill-gotten money insulate themselves with over-the-top magnificence. They buy paintings and expensive clothes. And deep inside they know they're cheats and killers...
...thought about these four unlikely little guys going up against the mythic monolith of Capone," she says. "So I used architecture that showed mass and power: the Chicago Theater for the opera house, Louis Sullivan's Auditorium Building for Capone's hotel, a spiffed-up Union Station for the Odessa Steps sequence. Fortunately, Paramount let me really run wild." Steel also suggested the essential extravagance of signing Giorgio Armani, the Milanese couturier, to dress most of the characters. Working from photos of '30s gangster films, Armani reworked period shapes into a style that was less stiff, more drapable. Instead...
...conflict between Ness the lawman and Ness the family man, as he tries to protect the infant and simultaneously conduct a shoot-out. What wild comedy in this conflict between duty and humanity. And De Palma ices the cake by shooting the scene as a parody of Eisenstein's Odessa Steps sequence from Potemkin...
...competition, crime in the streets and public and private corruption. Most seemed eager to swap the hazards of American freedom for the gray certitudes of Soviet life. "I was afraid to go out in the street after 4 in the afternoon," said Rebecca Katsap, 67, who was headed for Odessa from New York City. "I kiss my native soil with happiness. Eight years of life in a strange land are behind...
...Australia's publishing tycoon Rupert Murdoch, who has made a deal to buy seven television stations in the U.S., announced in May that he would become a U.S. citizen. The roster of Soviet immigrants includes not only the black-garbed babushkas huddled over their knitting in Brooklyn's Little Odessa but such artists as Alexander Solzhenitsyn and Mikhail Baryshnikov...