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Word: oed (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...sluttish earth-mother figure and the doomed, self-destructive wastrel have appeared before in Eugene O'Neill's plays; some day--if it has not happened already--a Freudian scholar will write a book confirming our suspicions as to what these figures meant to their creator. Meanwhile, here they are again, livid with agony, struggling to find more than a painful, temporary peace in one another's arms...

Author: By Julius Novick, | Title: A Moon for the Misbegotten | 11/7/1959 | See Source »

...nearly 11 o'clock, and Vag had read one chapter. The time had finally come, he told himself, to get down to work. "But first, I'll look at my roommate's Dali print for inspiration." Each of his roommate's had wanted to write a poem to the picture, and now Vag tried to work...

Author: NO WRITER ATTRIBUTED | Title: And So It Goes | 11/5/1959 | See Source »

...Barn. In Philadelphia, officials gathered to kick off Fire Prevention Week were interrupted in mid-ceremony when a mechanical replica of Mrs. O'Leary's celebrated lantern-kicking cow short-circuited, began to smolder...

Author: /time Magazine | Title: Miscellany, Nov. 2, 1959 | 11/2/1959 | See Source »

Take Me Along (music and lyrics by Bob Merrill; book by Joseph Stein & Robert Russell) sets to music Eugene O'Neill's only pleasant, nostalgic play of family life, and keeps it pleasantly nostalgic. In Ah, Wilderness! O'Neill traded tragedy for Tarkington, Freud for the Fourth of July, tom-toms for small-town brass bands. Take Me Along keeps much the same small-town look, 1910 flavor, horse-and-buggy pace. Its drinking is confined to a likable bachelor and a would-be sex-bad boy; its passion consists of the same boy's book...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Nov. 2, 1959 | 11/2/1959 | See Source »

...proto-union of Irish immigrant miners that violently opposed exploitation by American industry. Calling themselves the "Molly Maguires" after the famed Irish rebel,*they operated outside the law, tried and condemned opponents on their own. Blythe, who was obviously no labor sympathizer, records one such drumhead trial. John O'Brien Inman was the son of the prominent portraitist Henry Inman. Oddly enough, he himself never made much of a reputation. But his Moonlight Skating in Central Park is pure champagne: chill, sparkling, heady. And like the others in the exhibition, his picture helps fill in the panoramic sweep...

Author: /time Magazine | Title: Art: THE GOOD & BAD OLD DAYS | 11/2/1959 | See Source »

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