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Word: oedipus (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Everything will coom raght," both sides insist, but as the parents exchange confidences, it becomes obvious that Oedipus and Electra complexes lurk in corners of both households. At the film's finale, everything does indeed coom raght for the young couple, who go off on their own, though behind them they leave four unhappily married parents, whose permanent frustrations are now a little deeper...

Author: /time Magazine | Title: Cinema: Ordinary & Extraordinary | 7/14/1967 | See Source »

...tale was given its first great artistic shaping by Sophocles, whose dramatization remains the best known. Although his Antigone concludes the story presented in Oedipus Rex and Oedipus at Colouns, it was written before the other two; it is, in fact, the next-to-earliest of his surviving works. Early or not, it is a supreme master-piece, fully deserving of the first prize that it copped; and it contains a higher proportion of lyric writing than any of his other works...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: III | 7/14/1967 | See Source »

...always enjoyed dramas that give free play to philosophical disputation. And modern French dramatists, with the shining example of Racine before them, have been especially drawn to ancient Greek legends. The trend started at the turn of the century with Gide, who wrote stage pieces about Philoctetes, Prometheus, and Oedipus. Montherlant turn-to Pasipha*e, and Cocteau dramatized Antigone, Orpheus, and Oedipus. Claudel turned to Proteus, and did a version of Aeschylus' entire Orestes trilogy. Giraudoux turned to Amphitryon, Electra, and the Trojan War, while Sartre refashioned the Oresteia in his Les Mouches. As part of this movement, then, Anouilh...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: III | 7/14/1967 | See Source »

...DOORS (Elektra), a new group from Los Angeles, tend to keep the decibels down and spread the shivers with a shuffling beat, a spooky kind of bluesy undercurrent and free, Freud-laden verse. The End, for example, which lasts eleven minutes, spells out the Oedipus legend: "Father, I want to kill you. Mother, I want to. . ." Shrieks ensue...

Author: /time Magazine | Title: Television: Apr. 14, 1967 | 4/14/1967 | See Source »

Henry has an infallible touch for ruining whatever he comes near. Even his own little boy becomes a psychotic Oedipus wreck. Sin-burned by Henry's faults, his wife (Jane Fonda) leaves him, heading to the Menninger Clinic with their maimed son. Impotent with rage, Henry dynamites his cousin's farm, accidentally killing one of Rad's boys. Rad and Reeve combine to rebuild the land-a union of black and white that seems grey and unconvincing...

Author: /time Magazine | Title: Cinema: Black + White = Grey | 3/31/1967 | See Source »

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