Word: oedipus
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...music, for the peasantlike economy with which he used the same themes over and over again, elaborating on them with the imagination of a genius. Brahms never married, never defied convention as did the overromanticized Rich ard Wagner. But he was no ascetic. His mother bred in him an Oedipus complex which never quite squared with the notion of women that he got while playing the piano as a boy in the red-light district of Hamburg. Brahms patronized brothels all his life, a fact never before printed. He loved several women but he was shy of them, loved...
...flocked to this intellectual play. Being intellectual was the fad of that period; you might surreptitiously go to see Clara Bow, but you were "passe" if you couldn't discuss your complexes and O'Neill intelligibly. Then came "Mourning Becomes Electra." The public tried to be classical and pronounce Oedipus and argue about the merits of Aristophanes--now was it he or Sophocles. But the great masses were too lazy to go to libraries for research; "depression" in one sense was enough. O'Neill had failed to pick the "psychological moment" to present his tragedy, so now we have...
...called from the Greek myth in which Oedipus kills his father and marries his mother, unaware of either's identity. But Fate, not Sex, was what interested the Greeks who wrote great plays based on this story...
...responded to parental fondling. His principal hypothesis held that most dreams were explainable by suppressed sexual urges; so that when young men told him of dreams in which they saw their fathers dead and young girls reported similar dreams about their mothers, he formulated his concept of the Oedipus Complex,* which holds that all youngsters-in some small degree at least -unconsciously hate parents of the same sex, are erotically attracted to parents of the opposite sex. Thirty-three years have passed since Die Traumdeutung was published. Today Sigmund Freud, ill and old (77), almost never emerges from the seclusion...
...Paine '69 The Glee Club and Orchestra "Symphony in C-Major" Mozart The Orchestra "Two Choruses," from "Orpheus" Gluck The Glee Club and Orchestra "Danse des Bouffons," from "The snow Maiden" Rimsky-Korsakov The Orchestra "Ecco Iam Noctes" G. W. Chadwick The Glee Club and Orchestra Prelude to "Oedipus Tyrannis" J. K. Paine '69 The Orchestra "Hallelujah Amen," from "Judas Maccabus" G. F. Handel The Glee Club and Orchestra