Word: oeil
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...story. Yet Barry Lyndon lacks the experimental, hallucinatory visual quality that made 2001 a cultural touchstone of the tripped-out '60s. Kubrick has shot and edited Barry Lyndon with the classic economy and elegance associated with the best works of the silent cinema. The frantic trompe 1'oeil manner -all quick cuts and crazy angles-recently favored by ambitious film makers (and audiences) has been rigorously rejected...
...generalized. His favorite subject is, lit erally, nature morte: French graveyards, with their raked gravel, their cakes of black granite brought to a patent-leather gloss, their iconography of morose kitsch. Hucleux paints them down to the last molecule and the result is a form of trompe l'oeil that contrives to be both meditative and irritating, done with a delicacy of touch that defies analysis...
...dancers themselves. Haydée oozes elegantly across the floor on her bottom like a geometric snake, slithering effortlessly upward, feet first and legs spread, over Cragun's waiting shoulders. Tetley amazingly seems to have taught his dancers how to bow their hips into trompe l'oeil convex forms. The two couples slide through a visual glissando of sexual exercises so explicit yet so subtle in execution that the intimacies never shock -except perhaps with the revelation of the extreme possibilities of what a dancer's body can be made...
...ways with the intellect that glares so defiantly from the eyes of his self-portrait. Yet these same eyes could see their owner in more unlikely lights. "...I really do look like your president Lincoln," Picasso informs an amused Alice B. Toklas in her Autiobiography. Like this trompe-l'oeil version of his own self-image, many quirks of his personal vision could trick his mind's eye into the surrealistic jokes and psychic mutations of physical reality which join so much humor and psychological dimension to the more analytical samplings...
...waistband. There are snug, armless sweater tubes and long sweater dresses. Many sweaters now sport knitted-in portraits of people or animals. Betsey Johnson's "ecology" line features trees and fish; Giorgio di Sant'Angelo portrays a plane taking off. Stan Herman's trompe 1'oeil sweater dresses have fake belts and scarves knitted into the material. Others contrast jazzy colors, stripes and polka dots in dazzling juxtaposition. "Sweaters are completely different now," says Sant'Angelo. "We have these fabulous synthetic yarns and colors." Says Herman: "Sweaters are the only way to dress...