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Thomas Lee, program manager for the OFA??s Learning from Performers series, agrees, and encourages students to see Rebirth for both aesthetic and political reasons. He says, “Harvard students should be exposed to all different kinds of art—art that is thought-provoking, challenging, maybe life-changing...
...Genovese Sullivan gallery, gave a full-day workshop entitled “The Good, The Bad and the Ugly—The Process of Discovery” at the studio of Harvard’s Ceramics Program, run by the Office For the Arts. The workshop, part of the OFA??s Visiting Artist Program, consisted of a slide show and lecture, followed by a demonstration and informal discussion...
...joked that after he made a similarly positive statement at last year’s Arts First, the OFA??s Megan has quoted it back to him each time his office wanted funding...
...Arts First weekend also brought to a close the Harvard Seers Project, a performance art installation designed by Lee Mingwei, the OFA??s visiting artist this year. Students and community members lined up early on each of 10 nights for brief sessions with that night’s psychic. Every night, the wait list was full by 5:15 p.m. and many of the 30-odd visitors turned away came back night after night...
...House network of arts tutors that hope to coordinate student use of the varied spaces available. Efficiently navigating and reserving space under Harvard’s cumbersome and decentralized system is painstaking. Beyond the work of these tutors, Harvard needs a central coordinating body—such as the OFA??to computerize and simplify this process. If students could reliably turn to a central location to easily find and reserve available practice, performance and exhibition space, it would dramatically reduce the most stressful characteristic of arts production at Harvard...