Word: ofas
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...Parsons Etude” in the 2006 Loeb Mainstage production “American Grace,” Ho decided to further explore the dance repertoires of David Parsons and Taylor. An Artist Development Fellowship, offered for the first time last year by the Office for the Arts (OFA) and Office of Career Services, allowed her to do so through open dance classes and two dance intensives in New York. This spring, Ho continued studying both the theory and the practice of Taylor’s dance in a new dramatic arts class taught by Ruth Andrien, a former principal...
According to the Office for the Arts (OFA), the visual work of Council Prize in Visual Arts winner Alexandra M. Hays ’09 “addresses the critique of social customs and expectations of the West’s myopic perspective on the East, especially China.” But Hays does not entirely agree with this interpretation. Yes, Hays admits, her background as an East Asian Studies concentrator has influenced her art more than a history of working from any particular medium. “But I’m not really an artist...
...theory with practice,” Ho says. “That has been something that has really enriched my experience. I feel you can’t really detach the two.” In 2007, Ho received an Artist Development Fellowship from the Office for the Arts (OFA) and Office of Career Services for intensive study of modern dance in New York. “[The fellowship] helped me see that this is something I really enjoy and want to keep doing,” she says. “It was really important to me because...
...most grueling and intricate works to date, the piece is slated to be performed during Boston Ballet’s upcoming season. This scene took place on March 19 during the latest installment of Boston Ballet Dance Talks, a collaboration between the Office for the Arts (OFA) at Harvard and Boston’s most famous professional dance company. The program was established when Mikko Nissinen first became artistic director in order to facilitate exchange between Harvard and Boston Ballet, and to introduce Boston Ballet’s upcoming season to potential audience members.In the first row of seats...
...says Sam D. Jacoby ’08-’09, one of five student press masters involved with running the press. Historically, funding for the press has come from Adams House and grants provided by the Undergraduate Council (UC) or the Office for the Arts (OFA). Funding has been somewhat “haphazard,” according to Jacoby. Since it lacks official standing, the press can only apply to one-time project grants from the OFA and the UC.According to John Pyper, an Adams non-resident tutor and a local artist in charge of the underground...