Word: off-screen
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...Yuen and five with Ringo Lam; but the Asian director in the first part of JCVD is bored and contemptuous.) Most of the film, though, is unsparing of the Van Damme legend. With the star, now 47, looking puffy and played out, and with so many references to his off-screen philandering and drug use, the movie bears comparison to Mickey Rourke's turn in The Wrestler, also at Toronto. Except that this one is sharper, crueler, way funnier - part parody, part exposé, especially in an eight-minute take of the star in closeup, where Van Damme makes...
...Festival, and will play the Toronto Film Festival later this week - they take George Clooney and Brad Pitt, those modern icons of sex and savoir-faire, drop them in the world of Washington, D.C., espionage, then keep ratcheting down their emotional IQs. They turn Frances McDormand (Mrs. Joel Coen off-screen) into a mad-man loser with a severe self-image problem. The characters' lives get more desperate as the camera style retains its affectless sheen...
...Presumably this flaunting of his body beautiful was for the women in the audience. Off-screen Infante was a dedicated ladies' man, with countless mistresses and one very patient spouse. Let Chavéz do the enumerating: "There was his first girlfriend, Lupita Marqués, who bore him a little girl. And then there was his long-suffering wife, María Luisa. Then came Lupe Torrentera, the young dancer he met when she was 14 and who bore him a daughter, Graciela Margarita, at age fifteen. Lupe was the mother of two of his other children...
...Their off-screen story was every bit as dramatic as any of their movies. It might take the name of one of them: Marriage, Italian-Style. Ponti, then married, had tried keeping his relationship with Loren hush-hush, as his lawyers won a Mexican divorce from his estranged wife, Giuliana. In 1957 the producer and his star were married by proxy in Mexico, with two male attorneys standing in for them. But the Italian government forced the annulment of their marriage and branded Ponti a bigamist. The couple had to live either abroad or secretly in Italy, until 1966 when...
...could stop these creatures, or shut them up? Not Altman: he hears America talking, endlessly, engagingly, whether or not it makes sense. Even in an two-person conversation, the Babel of off-screen voices tells you that the main story is just one of many that could be told-are being told, in shorthand, at the edges of the frame. The murmur of overlapping blarney isn't a carpet of sound; rather, it's swatches, hundreds of gorgeous samples to choose from. This blend of image and voice, meticulously designed, may seem like a glorious mess. But that is Altman...