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Word: offbeaters (lookup in dictionary) (lookup stats)
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...professional writers hangs around the kitchen door. One freelancer, Barry Tarshis, who dubs himself the "Menu Surgeon," says: "A menu should relate logically to the restaurant. A whimsical menu for the hip crowd, for example, or a folksy menu for the family crowd. But if someone wants something really offbeat, I might even suggest a baroque menu for a truly rundown place...

Author: /time Magazine | Title: Restaurants: Edibility Gap | 12/6/1968 | See Source »

Such odd and offbeat problems are constantly cropping up in the week's news. For TIME'S editors they often offer the unexpected angle or provoke the added insight that can give a story new vitality. A sampling from this week's issue...

Author: /time Magazine | Title: A Letter From The Publisher: Nov. 29, 1968 | 11/29/1968 | See Source »

...dancing, you couldn't even walk to music. It was a peculiar law, but that's the way the law read. They'd have spotters out there watching, in case they did. So if you walked across the stage when the music was playing you had to walk offbeat. You couldn't walk in time with the music, which is ridiculous, I know that. Today when you see them out there doing everything on a Sunday...

Author: NO WRITER ATTRIBUTED | Title: Fred Shibley--Tumbler and Sandblaster--Started a Newspaper and Was Bankrupted By Catholic Churches and Urban Renewal | 11/20/1968 | See Source »

...libido dialogue, the APA Repertory Company chose two drawing-room comedies for the first productions of its 1968-69 Manhattan season. Each of them, moreover, is in verse: T. S. Eliot's The Cocktail Party and Molière's The Misanthrope. It was a brilliantly offbeat dramatic selection, but there, unfortunately, APA's brilliance ran out. The staging of the Eliot play is so inadequate that it points up weaknesses of the play that were not so apparent in the more religiously oriented atmosphere of 1950, when it first opened in Manhattan. And while The Misanthrope...

Author: /time Magazine | Title: Theater: Conversation Pieces | 10/18/1968 | See Source »

Still, the festival has always performed a valuable service in offering certain films that were either too flawed or too offbeat for commercial distribution. The program directors' taste in revivals remains impeccable. Jean Renoir's Toni, made in 1934, is a gentle, loving tribute to the peasants of pre-Civil War Spain. The uncut version of Max Ophuls' Lola Montes (1955), never commercially released in the U.S., is one of the most sumptuous romances ever filmed. Among the other festival highlights...

Author: /time Magazine | Title: Cinema: A Festival of Diamonds and Zircons | 9/27/1968 | See Source »

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