Word: offenbach
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...Jacques Offenbach's score for La Belle Helene has probably never been equalled by anybody except Offen-bach. It is "music so French," said James Agate, "that it needed a German Jew to write it:" irrepressible and irresistible music, subtly mischievous, knowing, deft, and inexhaustibly high-spirited. It alone is worth the price of admission to the Arts Center, which is very fortunate since it alone is nearly all that this venture has to recommend...
...Metropolitan Opera likes to keep one or two operettas in its repertory, if only for purposes of New Year's Eve entertainment. In the past, Manager Rudolf Bing has done well with Strauss's Die Fledermaus and Offenbach's La Péri-chole. Last week the Met unveiled a dazzling production of another Strauss operetta, The Gypsy Baron. While it might please properly champagned New Year's Eve audiences, the Met's Gypsy is more than half a failure for ordinary, year-round consumption...
...work could be called a novelty but its lukewarm popular reception intimates that such experimentation will be curtailed. This is unfortunate because smaller operatic groups ought to be daring where the large-scale expensive enterprises that the Metropolitan must attempt prove impossible. The second work this season will be Offenbach's well-tried operetta Voyage to the Moon, which was prepared by Miss Caldwell for the Boston Arts Festival in the summer of 1956. One can only hope that the spring offering, yet to be announced, will fulfill this group's responsibility to imaginative repertory. After all, they have...
...great historical importance, for it fixed the French light opera style for a hundred years. It was the chief stylistic source for the Offenbach comic operas, as well as for the Gilbert & Sullivan ones. But Goldovsky has proven to anyone's satisfaction that it is more than a textbook "influence," that it is an eminently viable stage work today and does not merit the obscurity into which it has fallen, especially when the almost ubiquitous Barber of Seville is not a whit better...
While Noah and family were constructing their ark last week, a crew of ballet dancers in goggles and aprons was busy on a Boston stage, pounding together a Victorian-styled spaceship for a nostalgic trip to the moon. The occasion: the U.S. premiere of Jacques Offenbach's minor operetta Voyage to the Moon, based on Jules Verne's yarn. First performed in Paris in 1875, Offenbach's Voyage caused a momentary sensation among premature space bugs, then disappeared from the repertory and has rarely been seen since. The story, as revived by the newly formed Boston Opera...