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...sometimes easy for the tracks to fall into a lull or feel stagnant. “Girl I Love You” and “Flat of the Blade,” though solid tracks overall, are prime examples of this kind of stasis, failing to offer any novel interpretation of what Massive Attack have been doing for years...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Massive Attack | 2/9/2010 | See Source »

Fehrenbach, familiar with the advances in neurobiology and psychology and what they offer art historians from a seminar he recently taught, says that a more science-oriented approach is a prominent channel in art history that seems to be gaining momentum. His concerns with it, however, range from the methodological issue mentioned above to more fundamental areas of disagreement...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Painting Perception | 2/9/2010 | See Source »

...hand, Fehrenbach argues that asking subjects to respond to a work of art to analyze what’s happening in the brain can’t offer anything more than simple questions to an audience or to oneself. On the other hand, he stresses that this type of research-oriented approach is only a new substitute for formalism and places an undue emphasis on immediate response. Neurological or psychological studies could easily fall short in explaining such instantaneous reactions. If scientists observe that subjects have similar responses to a work of art, can they necessarily prove that similar mental...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Painting Perception | 2/9/2010 | See Source »

Despite even these gravest of doubts, Fehrenbach admits that in certain areas the approaches taken by Cavanagh, Livingstone, and the Vision Sciences Laboratory in the interpretation of artworks could be a fertile foundation for greater understanding. These areas, however, are not particularly numerous; nor do they initially seem to offer the same boundless opportunity that researchers like Cavanagh envision in the confluence between art history and the science of perception...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Painting Perception | 2/9/2010 | See Source »

...existence of this mechanism and its regular employment, the U.S. embassy refused to send a fax to the ministry with only a copy of my passport and a letter from the Harvard School of Public Health explaining my reason for travel to Gaza. “We do not offer that service,” the Chief of American Citizen Services told me. “You don’t help Americans communicate with the Egyptian government?” I asked indignantly after having been in Cairo for two weeks. “Not about traveling...

Author: By Feroze Y. Sidhwa | Title: Stifling Studies | 2/8/2010 | See Source »

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