Word: offing
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Dates: during 1940-1949
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A hit of his show was La Corrida, though the picture's composition was halfheartedly cubistic and for all its elegant Etruscan overtones the drawing was weak. The color, which Marchand pretends not to care about, was magnificent; as a colorist he had cleared the wall.
The strangest thing was Marchand's color. The paintings in his previous exhibition (TIME, May 26, 1947) had reflected the cool hues of the Burgundy forest. Lately Marchand, like Van Gogh before him, had made a pilgrimage to Arles and developed a new palette there. Reds, phosphorescent greens and...
The least of his new pictures seemed to radiate light. There were glowing little pointings labeled Lemons and Oranges, Radishes, or just plain Fruit, but never "Still Life." Marchand hates the term nature morte, never uses it. "Nature," he says, "is never dead." His paintings of bulls silhouetted against hot...
Like any show of its kind, the annual exhibition of contemporary U.S. art that opened in Manhattan's Whitney Museum last week bulged with duds. Artists not invited to exhibit would consider the show too small, but for gallerygoers it was far too big. Of the 161 painters represented...
Most of the pictures on the walls looked like more or less distorted reflections of each other. Jackson Pollock's nonobjective snarl of tar and confetti, entitled No. 14, was matched by Willem DeKooning's equally fashionable and equally blank tangle of tar and snow called Attic. If...