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Word: often (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

Timidly but often he has essayed the subject to his superior, Minister of Justice Louis Barthou. But year followed year and M. de Paris was never raised. Recently Mme. de Paris, desperate and confident in the potency of a woman's nagging, approached the Minister of Justice, spoke volubly anent the high cost of Life, the low wage of Death. Last week, her confidence was vindicated. Her husband's salary was raised to a still paltry...

Author: /time Magazine | Title: Foreign News: Salesman of Death | 12/3/1928 | See Source »

Notorious, of course, was the always stifling and often stupid Bratiano censorship of the Rumanian press...

Author: /time Magazine | Title: RUMANIA: Sweeping Reforms | 12/3/1928 | See Source »

...Telegram, calling attention to this, editorially pointed the moral: "Too often the . . . honest reporter has found himself classed with the . . . wilful liar, by persons who hope to evade responsibility for statements made with the full knowledge that they were for publication, by recanting at the first sign of disfavor with their stand...

Author: /time Magazine | Title: The Press: Liar Duffy or Liar Sorenson? | 12/3/1928 | See Source »

...theory behind the Luxembourg museum is typical of the logical French mind. Praises of living artists are forever reverberating in the cafes and studios of France. But these hallelujahs, often fanatical in intensity, are usually ignored by bland, potent French critics. These priests of the Louvre are too wise to ballyhoo any skyrocketing dauber who happens to be the vogue. But occasionally the critical pundits suspect a novice of immortality. When this happens they have a routine gesture of generosity. They hang his pictures in the Luxembourg. For a minimum of ten years the pictures generally stay there. Thousands...

Author: /time Magazine | Title: Art: To the Louvre | 12/3/1928 | See Source »

...Ministerial decree announced the imminent transfer of the Luxembourg collection of Impressionist & Post-Impressionist art to the Louvre. For all of the painters the honor was posthumous.* Their long, tempestuous trial at the Luxembourg outlasted their lives. They had tried to paint what they perceived as current realities. Often they were frustrated, tortured in the patient attempts to convey the actualities of their vision. But they believed in an art stimulated by the living, not the dead. For this they were excoriated by a host of pompous academicians, who applauded apes of the classical tradition...

Author: /time Magazine | Title: Art: To the Louvre | 12/3/1928 | See Source »

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