Word: often
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Dates: during 1950-1959
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...sentimental education, this is a pretty pleasant way to get it. Actors Chevalier and Brazzi ooze the old-world charm. Actress Kerr is lovely to look at, and in a comedy role reveals a subtle sense of humor and a refined capacity to express it. And the script is often amusing in a mildly risky way. "When I think," the heroine rages, "he was making love to all the others at the same time!" And her father replies with gentle horror: "Surely not at the same time...
Married. Walashan Prince Mukarram Jah Bahadur, 25, grandson and direct heir of the 74-year-old Nizam of Hyderabad (often called "the richest man on earth"), son of Azam Jah, 52, Prince of Berar, whose "polo ponies and worthless wenches" were too much for the Nizam, who disowned him in 1956; and Esra Birgen, 21, a student at the University of London and daughter of a prominent Turkish family; in London...
...that show the price changes of individual stocks as well as the action of the market as a whole. Chartists are powers in the Street; on what their charts show, institutions, mutual funds and thousands of individual investors buy and sell. In this select group of experts, who can often send a stock zipping up-or down -the leading chartist is generally recognized to be Edmund W. Tabell, 55, the tall (6 ft. 2½ in.), mustached vice president and research director of Walston & Co. Tabell keeps 2,500 charts, biggest number on Wall Street, has used them to score...
...rise, leveling off around 34, Tabell's chart showed a new potential of 44. American Motors sold as high as 43⅜ by January, then slid back to 25½ before climbing back to 38¼ last week. Tabell admits that charts are far from infallible; often two chartists will arrive at opposite conclusions. Therefore, when a stock attracts Tabell's attention by its price movements, he sends aides to see the company and check on the "fundamentals" of earnings, sales and dividends. He will not recommend a stock unless the fundamentals support the pattern on his charts...
...will not make pictures for the sake of making pictures any more." TV has killed the routine movie for most people (who can watch all the routine movies they want to on TV), forced Hollywood to concentrate on blockbusters-the big-screen, big-star, big-color extravaganzas that often cost upwards of $3,000,000. The blockbusters have no trouble luring people away from TV, are the favorites of the drive-in theaters, which have grown from 820 to more than 4,500 in the last ten years. The Ten Commandments, which cost $13.5 million, will have brought in more...