Word: often
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Dates: during 1950-1959
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...judging by the experience of Air Force pilots, whose jet bombers have been flying the unfamiliar highways of the upper air for years, commercial pilots will probably not find it worthwhile to try for this maximum joyride. The stream's twisting center is hard to follow, and it often takes the airplane far from its course. Most pilots will be content to pick up 50 to 100 miles of free speed by flying in the stream's vicinity...
...kept Secretary John Foster Dulles bedfast in Walter Reed Army Hospital last week (see NATIONAL AFFAIRS) was considered rare until the turn of the century. Since then, with X-ray techniques constantly improving, it has become clear that diverticulosis is one of the commonest disorders of the aging, though often it gives no trouble. But diverticulitis severe enough to send the victim to a hospital has become a routine diagnosis...
...East-West love feast that surrounds Flower Drum Song is no accident, for Rodgers and Hammerstein themselves have reached an almost Oriental serenity in an otherwise hectic and often squalid business. As much as any of their Chinese characters, R. & H. have family feeling. Since they have a permanent production outfit (unlike most other theater men, who fold up after each show), they have given employment to generations of performers. Example: one of Flower Drum's brightest young dancers, Patrick Adiarte, 15, started at eight as one of the younger children in The King and I, kept on playing...
...Wang Chi-yang, Flower Drum Song's venerable elder, likes the feel of money and distrusts outside financial institutions, so do Rodgers and Hammerstein. Where other producers more often than not must hunt down angels, R. & H. have the problem of fighting off outside investors, mostly use their own capital or that of family members and close friends. And they go about their business with Confucian calm; voices are virtually never raised at an R. & H. rehearsal, except in song...
Taken as a theater piece, J.B. has an often stunning theatricality, notably in the first half. The spoken verse is sometimes sharp and eloquent. The circus setting, in Boris Aronson's graphically somber set, enhances both the Biblical immensities and the modern-day horror. The bearers of ill tidings to J.B.-liquored-up soldiers, flashbulb photographers, raincoated police-are peculiarly scarifying. Moreover, J.B.'s story is varied, heightened, salted, glossed by the exchanges between the Zuss of Raymond Massey and-the play's top performance-the Nickles of Christopher Plummer...