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Word: often (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...course of the Mass, an assisting cardinal placed on the Pope's shoulders the pallium, a white wool band symbolizing his authority as Bishop of Rome, and the sacristan performed the grim ritual of tasting the wine to be used, as reminder of the days when Popes often died by poison. At the conclusion of the Mass a silk purse containing 25 ancient coins was presented to the Pontiff, traditional payment for "a Mass well done...

Author: /time Magazine | Title: Religion: I Choose John . . . | 11/10/1958 | See Source »

Roncalli was often compared to St. Pius X (1903-1914), who like him came from a peasant family and like him was Patriarch of Venice. When Roncalli's friend Auriol visited him in Venice, the cardinal showed his guest the small, modest room where Pius had lived before his election. "Maybe it is from here also that the successor to Pius X will come," said Auriol. Last week he recalled: "The cardinal smiled but did not answer...

Author: /time Magazine | Title: Religion: I Choose John . . . | 11/10/1958 | See Source »

Most of the early titans bought art as they bought stocks; they were interested only in authenticated masterpieces, the blue-chip established values of culture. Their successors were less lavish of necessity, but no less avid, and often supported American art, as their predecessors did not. Among Author Saarinen's gallery...

Author: /time Magazine | Title: Art: The Big Collectors | 11/10/1958 | See Source »

...sympathy for the heroine, the moviemakers have made her so sweetly reasonable and the rest of the family so viciously irrational that the moviegoer may find himself confused about which belfry the bats are really in. But as played, the film is often a remarkably intense and intelligent study of close relationships-the rare sort of drama that demonstrates how soap opera at its best can bear a true and moving resemblance to life at its worst...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 10, 1958 | 11/10/1958 | See Source »

...mood and inwardness as the Mobil oil gargoyle. In Bergman's camera, the most numinous and vital symbols are somehow diminished into mere ideas; but then the ideas seem marvelously clever. And strong religious feelings are dissipated into a sort of arty, romantic, death-wishful mood that is often hard to distinguish from sentimentality; but then the mood is unfailingly hypnotic. Such qualities, along with the fact that the film is beautifully photographed and composed, should make it a very special sensation for moviegoers who like an occasional exotic tidbit-in this case, something that often has the horrible...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 10, 1958 | 11/10/1958 | See Source »

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