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Word: often (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...fault of Anthony Quayle's direction. As an actor with a grandiose voice, he himself can get away with a heavy, solid, nearly motionless style of acting, because his voice does most of the work. But no one else on stage, not even Katherine Cornell, who often visibly tries to compete with Quayle on a purely vocal, statuesque level, can get away with...

Author: By Larry Hartmann, | Title: The Firstborn | 4/17/1958 | See Source »

...passionately held role or Jew. Although staging great characters--Shaw's Caesar--can be an opportunity to demonstrate what made them great, Fry does not achieve this. Yet Fry does make Moses a magnetic leader, a man of inspiration, a man whose motives and courses of action, often at odds with practicality or common sense, are hard for others--and sometimes Moses himself--to understand. Despite all this, the audience develops as much sympathy for Fry's Pharaoh as for his Moses...

Author: By Larry Hartmann, | Title: The Firstborn | 4/17/1958 | See Source »

Kennedy said the Faculty Administrative Board recommended the change because the official announcement of fall courses is not available in the spring. In addition, students often radically change their course plans during the summer, and tend to fill the cards haphazardly because the choices may be changed in the fall. As a result, statistics compiled from the forms are inaccurate...

Author: NO WRITER ATTRIBUTED | Title: Preliminary Schedules No Longer Requested From Upperclassmen | 4/15/1958 | See Source »

Pamela and Paul responded to pampering. They performed for the visitors, plunged and swam and grew healthy. But Paddy never joined the fun. He often swam upside down to show his displeasure...

Author: /time Magazine | Title: Science: Have Platypuses, Will Travel | 4/14/1958 | See Source »

...Irwin Shaw's bestseller of 1948, seemed no more than intellectual makeweight in what proved to be a light package. But the film version of the novel, as conceived and produced by the late Al Lichtman (TIME, March 3), strikes deeper into human substance and rises more often to the epic height of its adage and its argument. Epic is plainly what Moviemaker Lichtman hoped to achieve-a sort of Europead elaborated out of the decisive events and determining attitudes of World War II. He missed the mark, but with the assistance of Director Edward Dmytryk and Scriptwriter Edward...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 14, 1958 | 4/14/1958 | See Source »

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