Word: often
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Dates: during 1950-1959
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...when the President met the press last week for the first time in eleven weeks, his performance was something of a letdown. He knew his subjects, and his demeanor and clarity of character gave strength to the reasonableness of his answers-but this reasonableness, laid down in cold print, often sounded like weakness and an open invitation to his opponents to walk all over Dwight Eisenhower and his programs...
...cheeked Robert E. Gross, board chairman of Lockheed Aircraft Corp. (prime contractor on the Navy Polaris), registered the common complaint that Government agencies, bureaus, committees, staffs and boards interfere with quick and able decisionmaking. Contractors, he declared, are "bogged down in a labyrinth of advisers advising advisers ... We are often 'helped to death' by the hierarchy of Government agencies." Conflict-of-interest statutes defeat the Government's opportunities to hire the most able civilians for key posts. "We really cannot ask people to come down to Washington as experts for a problem as long as they have...
...Frequent Partner Dwight Eisenhower calls "Hagerty Drives"). Hagerty was genuinely fond of Willkie. But his memories of the mismanaged Willkie train make White House Press Secretary Jim Hagerty, who has come to know more about running a tram than most railroad presidents, writhe in professional pain. The Willkie train often pulled out of wayside stations with reporters still standing on the tracks, and Wendell Willkie, thinking they were voters, waved farewell from the rear platform. When Jim Hagerty was press secretary to Tom Dewey a few years later, an officious Dewey aide ordered a train to move out while eight...
Jane Cronin plays the meek sister quietly, almost mutely, almost ideally. Her searching, nearly childlike smile needs no words to help it unfold the character's frail tenderness. Olympia Dukakis, as the maid who is at one point compared to a walrus and who never travels without her goldfish, often squawks excellently, although her accent seems queasy. Her face is powerful. Richard Gavin plays the nephew with grace, youth, and a good balance of strength and weakness; he makes an effective contrast to the old judge, played by the director. Ree Christiansen, the fierce sister, screws her icy nerves...
...German expressionism of the twentieth century, the same adjectives keep reappearing. "Incisive" and "bold" are among the milder ones. "Brutal" really ought to be an epithet in art criticism, but in this connection it constantly arises as the laudatory description of a narrative school of art. In comparison, and often, unfortunately, in opposition, the modern art of France is cited as an opposed camp. The debate has been made to resemble an international conflict...