Word: often
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Dates: during 1950-1959
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...Public reports on operations of all health and welfare plans-an area often dealt with darkly (and profitably) by corrupt officials...
...business. "There is a sort of Roman aspect about Norstad," says André de Staercke, permanent Belgian representative on the NATO Council. "There are no borders for this man. Any morning he is apt to say: 'We will be in Ankara at 8 o'clock tonight.' " Often such flying trips serve primarily as valuable propaganda for NATO; sometimes they herald a new departure in the defense of Europe. A few months ago in Italy Norstad moved an audience to tears by declaring: "There are few sights more beautiful than a flag in the wind. When I look...
...since the opera singer is acted to the richly encrusted hilt by Eileen Herlie, a script that often plods as it perplexes, and that perplexes less and less as it proceeds, just manages to squeak through. With a stylish, long-discontinued look, Actress Herlie can rivet attention; with a bass-fiddle-deep laugh, she suddenly arouses laughter. The Guthrie treatment fares best when there is nothing much to treat: the air of secrecy proves more rewarding than the secret, the theatrical Herlie-burly than the philosophical coda. When the play finally turns serious, it seems, more than anything else, like...
Many reluctant record buyers believe that chamber music is colorless and dull, hear only the scraping of strings. But often there are no strings attached, as in Rossini's racy, unfailingly amusing Quartets for Woodwinds (Period). Many listeners have come to realize that even string works-Schubert's Death and the Maiden, Beethoven's last quartets-can be as poignant as any symphony. In some cases, record buyers have bitten hard at chamber music, e.g., the Westminster version of Schubert's lusciously Viennese "Trout" Quintet sold 100,000 copies in five years and is still going...
...models to the Chinese masters. One of the best, Yi In-mun (1745-1821), combined fantasy and perspective with superb brushwork and a cautious use of color that in many ways surpass his Chinese models. No such inhibitions bothered Sin Yun-pok (see overleaf), whose sumptuous scenes were often shocking to his contemporaries. One such scene of a kisaeng (geisha) party, with dancing girls performing on mats out of doors to the music of the hatted orchestra, is something no Korean gentlewoman could have witnessed. But to Westerners, it gives an intimate view of Korean gentry, alive with the delights...