Word: often
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Dates: during 1980-1989
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Comandantes do not like to be called boys, and both Dona Violeta and her newspaper have been singled out for harsh treatment over the years. The walls of her home are often defaced with insulting graffiti. As for La Prensa, it has been shut down by government decree five times in the past decade, once for 451 days. Last September a La Prensa editor was abducted and savagely beaten by people he recognized as Interior Ministry agents. The next month the government circulated a memo threatening sanctions against public enterprises that advertised in the newspaper...
...widow Chamorro favors an informal style, wearing simple clothes that accent her trim figure and filling her home with antique furniture and endless mementos of her husband. A sought-after speaker on the international journalists' circuit, she spends much of her time outside the country, often popping up at gala occasions like the inauguration of Venezuelan President Carlos Andres Perez, a longtime friend. When at home, she is driven to the paper's run-down plant each morning in a blue Toyota jeep. In her air- conditioned office, she puts her feet up to relieve her painful osteoarthritic condition...
...understaffed local force, are concentrating on drug arrests and housing-project security. Selling crack has become the city's biggest business, and is so widespread that peddlers sometimes flag down motorists on nearby I-70 to hawk crack packets at $20 a pop. Traffic backups on city streets often turn out to be buyers lined up at drive-through crack houses...
...public may be paying for the S & L fraud well into the next century. Even so, it seems unable to make the connection between such outrages and a permanent government that too often is up for sale to private interests. The notion that public service might require some sacrifice has become a quaint relic. Working in government, instead, has come to be seen as a way to enrich ! oneself. Public officials remain endlessly capable of rationalizing the trading of their office for private gain: we don't get paid enough; everybody does it; we could make much more...
...foremost venues for new work, served Henley well in its straightforward production of Abundance, a skeptical re-examination of 19th century frontier mythology through the eyes of two mail-order brides. Henley's underlying theme seems to be the way people change during the course of life, often swapping roles with intimates: the exuberant pioneer gradually becomes a timid drudge, while her starry-eyed friend hardens into an adventurer. The final scenes do too much too fast and too vaguely. But the script has the makings of Henley's best work since her stunning debut in Crimes of the Heart...