Word: oftenly
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Toothless is but one of many creatively crafted dragons in the film. Unlike the CGI-based cinematography, which often calls to mind the epic sweep of Peter Jackson with glorious pans across its digitized landscapes, the film’s dragons are awkward and strange. With outsized heads and teeth that jut out at uncomfortable angles, these are not the majestic and mysterious beasts of so many other films-—they are odd and misshapen, just like people. The movie’s message of empathy is thus underscored by its imagery...
...often work by appropriating, rewriting, and taking on a role in your performance pieces. But, more recently, you’ve been creating works that present yourself not in an invented role...
...very often, I don’t think artists always consider the field of meaning outside of intention. With my own work, my position is that you are responsible for all of it. Even if you did not intend it and even if it seems like pure projection on the viewer’s part, you are making this thing and putting it in the world...
...this, he answered, there is no easy response. He described one often-lamented instance of an American spy plane taking photographs of Auschwitz early in the war. Those photos, taken in hopes of locating factories rather than atrocities, went unnoticed. The line between knowledge and ignorance, then, was remarkably thin...
While the music on “Head First” is always fun and energetic, it inevitably sounds like it’s been done before, and the lyrics, though catchy, are often sometimes just a little too mindless, failing to do justice to Alison’s incredible vocals. While “Head First” may not be Goldfrapp’s most innovative or exciting production yet, it’s a near perfect soundtrack for a retro dance party. After Goldfrapp’s sudden detour into a downtempo, folksy, ambient haze on their...