Word: oiseau
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Mozart: The Symphonies, Salzburg 1766-1772, Vol. 2 (L'Oiseau-Lyre, 3 LPs). The latest in the Academy of Ancient Music's revelatory Mozart cycle, on period instruments...
Mozart: The Symphonies, Vol. 5, Salzburg, 1775-1783 (The Academy of Ancient Music directed by Jaap Schroder, violin, and Christopher Hogwood, harpsichord; L'Oiseau-Lyre, four records). How did Mozart's music sound in Mozart's day? The Academy of Ancient Music, one of Britain's best original-instruments ensembles, is answering the question with its traversal of 68 Mozart symphonies-27 more than the commonly accepted 41. They are played on 18th century instruments or modern replicas, which are tuned slightly lower than their modern counterparts. Such familiar works as the "Hajffher" and "Linz"symphonies...
After Builder Einar Rossow put up the Oiseau Bleu (Blue Bird) apartment house, the screech of more than 50 jets a day at the nearby Nice airport discouraged prospective tenants. The Blue Bird's builder sued Air France, the major noisemaker. At takeoff, the government-controlled airline did not think it was in for much turbulence. Air France simply argued that the proper party to sue was the Nice chamber of commerce, which runs the airport. "We just land where we are told," said the airline. What's more, the builder had taken a deliberate risk: nestled...
SHOSTAKOVICH PIANO QUINTET (L'Oiseau-Lyre). There is not much modern Russian chamber music to be heard, but probably its finest example and a credit to any age is this quintet, written in 1940 shortly after the Sixth Symphony and like it a resolution of the torment expressed in the Fifth. Its many lightly inflected moods flow peacefully together with classical clarity, interrupted in the middle by a short, funny honky-tonk of a Scherzo. The Melos Ensemble of London plays it with quiet understanding; it presents as well a sparkling, icy Prokofiev Quintet dated Paris...
Begun in 1915 and completed in 1923 for Diaghilev, Les Noces ends the series of "barbaric" ballets that includes L'Oiseau de Feu, Petrouchka, and Le Sacre du Printemps. Like the others, it embodies Russian folk spirit, according to Stravinsky. It is a setting of peasant remarks, mostly cliches, appropriate to a wedding: "Mother, brush my tresses"; "glory to the father, glory to the mother"; "to the wedding, to the wedding...