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Amid all the sake-gay festivity, the monks of Mount Sanjogatake were glum. Said 75-year-old Abbot Kaigyoku Okada: "Can a man meditate on the Buddha in the midst of passing geishas? That is why we sought mountain solitude. But now girls are to be allowed on our mountain, presumably with their boy friends. If one of my priests doing a cliff exercise happens to see a young couple, he may lose his balance and be killed." The abbot may have been thinking of a line popular with the mountain priests: "Woman is the root of disaster that even...

Author: /time Magazine | Title: Religion: Women on the Mountain | 7/18/1960 | See Source »

...SHIZUE OKADA...

Author: /time Magazine | Title: Letters, Jul. 11, 1960 | 7/11/1960 | See Source »

...first quarter of the film, Director Resnais states his theme with great power; in the second he develops it in an allegro of relationship between the hero (Eiji Okada), a Japanese architect, and the heroine (Emmanuelle Riva), a French actress. Later, in a passage of gloomy elegy that evokes the heroine's "amour impossible" with a German soldier during World War II, the film begins to lose a little of its immediacy and drive. And in the long, obscure, lugubriously beautiful finale the theme is lost in sententious variations...

Author: /time Magazine | Title: Cinema: Love in a Mass Grave | 5/16/1960 | See Source »

French Line retired the 31-year-old Ile de France last autumn, sold her to a Japanese scrap merchant named Seichi Okada, who for the last few weeks has been collecting $4,000 a day in rent from Andy Stone and MGM. Finally, on location last week in Osaka Bay, the Ile reverberated with strange commands, such as "Open the barndoors on the broads!"* In the first-class staterooms, a collection of extras as mixed as the strays in a Conrad novel-English girls from Kobe, White Russians, Poles, wives of U.S. marines, a French judo expert-had the maritime...

Author: /time Magazine | Title: HOLLYWOOD: A Take to Remember | 6/15/1959 | See Source »

...have to print such monstrosities as Clyfford Still's Red and Black and Okada's Dynasty and call it art ? They are nothing but nightmares. Give me a Corot or a Bonheur. Their trees and horses look like trees and horses...

Author: /time Magazine | Title: Letters, Dec. 16, 1957 | 12/16/1957 | See Source »

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