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...Jazzin' Babies," and among the 23 bands at Frankfurt were the Riverboat Seven of Munich, the Diissel-dorf Feetwarmers. Berlin's Spree City Stompers. They belted out meticulous imitations of the legendary New Orleans bands of King Oliver, Jelly Roll Morton, Johnny Dodds. To listeners remembering old Okeh and Paramount recordings, the effect was sometimes eerily familiar: Frankfurt's Barrel House Jazzband, for instance, aped the disk of Dippermouth Blues with such studious care that they even mastered the ascending intonation of the famous cry. "Oh, play that thing." near the record...

Author: /time Magazine | Title: Music: Der Jazz | 6/20/1960 | See Source »

Come On Home (Duke Ellington; Okeh). "Father, oh father, come home with me now" brought up to date. The Duke gets more tomtoms and wailing reeds into this one than he has in years, comes close to the free-wheeling style that made him famous...

Author: /time Magazine | Title: Music: New Pop Records, Oct. 6, 1952 | 10/6/1952 | See Source »

Collectors' Note: Okeh has reissued some famous oldtimers: I'm Confessin' (Louis Armstrong); Willow Weep for Me (Cab Galloway); Wiggle Woogie (Count Basic); Gimme a Pigfoot (Bessie Smith...

Author: /time Magazine | Title: Music: New Pop Records, Jul. 21, 1952 | 7/21/1952 | See Source »

Editor Mathews also does his bit to settle a perennial argument over a unique American contribution-O.K. Some scholars have always insisted that the term originated with Andrew Jackson, a notoriously bad speller who was supposed to mark official documents O.K. for oll korrect. Woodrow Wilson used okeh on the theory that the word came from the Choctaw hoke, meaning "Yes, it is." Mathews' preference: that it sprang up first during the presidential campaign of 1840, when Van Buren's supporters organized a mysterious O.K. Club. The initials were those of Van Buren's home town...

Author: /time Magazine | Title: Education: Made in U.S.A. | 4/2/1951 | See Source »

...quickly substituted nonsense syllables, and added "scat-singing" to jazz. He had formed "Louis Armstrong and His Hot Five" (Satchmo, Clarinetist Johnny Dodds, Trombonist Kid Ory, Johnny St. Cyr on the banjo and second wife Lil Hardin Armstrong on the piano) to make recordings of his best numbers for Okeh. When he played Chicago, such youngsters as Bix Beiderbecke, Benny Goodman, Gene Krupa and Eddie Condon, who were to help create the "Chicago school" of jazz, sat and listened worshipfully. All of them now make their bow to Louis. Says Drummer Krupa: "No band musician today on any instrument, jazz...

Author: /time Magazine | Title: Music: Louis the First | 2/21/1949 | See Source »

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