Word: okrent
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...journalist who broke ground as The New York Times’ first public editor, Daniel Okrent, will spend next semester at Harvard as one of five spring fellows at the Joan Shorenstein Center on the Press, Politics and Public Policy at the Kennedy School of Government...
...rest of the magazine. Whitaker conceded last week that because those items are short and often develop late in the week, "there are one or two layers of editing and review that are not there," compared with articles elsewhere in the magazine. That's no excuse, says Daniel Okrent, who just ended an 18-month stint as "public editor"--basically, the internal critic--of the New York Times. "It doesn't say at the top of that page 'Stuff that we didn't check as much...
Which is part of what makes Great Fortune (Viking; 512 pages) great reading. More than just a supremely entertaining book, Daniel Okrent's cartwheeling account of how Rock Center came together is indispensable for anyone looking for reason to believe--and who isn't?--that we can pull off the same miracle where the World Trade Center stood. What we learn from Okrent, a former editor of LIFE magazine, is how a group of mismatched and combustible characters could make the thing happen. It didn't require much. All they had to do was undertake a project that would have...
When the Center got under way, nobody was predicting any such thing. The Rockefeller who built the place was not John D., the great, striding patriarch, but John Jr., his self-minimizing son. Ultra-prudent, teetotaling and possessing what Okrent calls a "clenched psyche," Junior--almost everybody called him that or, worse, Mr. Junior--nonetheless managed to launch the massive Rockefeller philanthropic operations. And when his advisers talked him into leasing 11 acres in midtown Manhattan, a deal that required paying $3.6 million a year in rent to Columbia University, he unflinchingly initiated the largest construction project in American history...
...Okrent adroitly retells the famous story of young Nelson Rockefeller's run-in with Diego Rivera, the Mexican artist whose mural for the lobby of the RCA Building--a dreadful kitsch effulgence, by the way--was demolished on Nelson's orders after Rivera slipped in a portrait of Lenin. Okrent is also supremely funny on the subject of S.L. (Roxy) Rothafel, creator of superabundant picture palaces along Broadway, those Moorish-boorish Odeons, who was the man chosen to guide development of Radio City Music Hall. Once he was in the job, fate teamed Roxy with Deskey--Donald Deskey, the great...