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...Harvard players consider themselves particularly fortunate to have obtained the services of Director Joe Losey and Cmoposer virgil Thomson. Losey leaped inot prominence along Broadway last year by his excellent treatment of Albert bein's "Little Ol' Boy," while it is chiefly because of his musical setting for Gertrude Stein's "Four Saints in Three Acts" that Thomson, former director of the Harvard Glee Club, has won renown...

Author: NO WRITER ATTRIBUTED | Title: H.D.C. PRODUCTION TO OPEN TONIGHT AT BRATTLE HALL | 5/2/1934 | See Source »

KINGDOM COMING-Roark Bradford- Harper ($2.50). Ol' Man Adam an' His Chillun (from which Marc Connelly shaped his 1930 Pulitzer Prize play, The Green Pastures) effectively pigeonholed Roark Bradford as a writer of humorous Negro dialog. But Author Bradford, not content with his niche, has made manful attempts to emerge. This Side of Jordan, a serious novel, was a far cry from Ol' Man Adam; most readers found it sordid and sinister. John Henry was a little consciously folk-tale-ish. But now, in Kingdom Coming, Author Bradford has turned the trick: neatly sidestepping the hoodoo...

Author: /time Magazine | Title: Books: Makin' Free | 9/18/1933 | See Source »

...Robert Planquette's corny, old-time score jazzed almost beyond recognition. The Muny Rip was a radio entertainer who took too much bootleg gin and dreamed he was the sleepy Washington Irving hero. He sang one piece called ''My Hudson River Home" which was strangely like "Ol' Man River," Red Coats traveled through the papier-mâché Catskills in a rattly old Ford, spent their evenings listening to a portable radio. Audiences seemed to relish the crass 1933 interpolations but the scene

Author: /time Magazine | Title: Music: Open-Air Music | 7/10/1933 | See Source »

...congratulate you, dear ol' boy! Splendid program! Fine settin'." Followed a slap on the back like the crack of doom. "Clem" Hobson lurched forward. The delicate stitching on his eyeball broke apart...

Author: /time Magazine | Title: FRANCE: Clem's Eye | 6/26/1933 | See Source »

...Little Ol' Boy (by Albert Bein; Henry Hammond Inc., producer). Considerable fanfare prefaced the appearance of Little Ol' Boy. No less than six reputable producers announced it for production in the past two years. The success of the playwright's The Heavenly Express, presented by a suburban repertory theatre last summer, added to the general bally- hoo. At one point James Cagney was said to have planned to retire temporarily from the films and take a part in Little Ol' Boy. For once, preliminary enthusiasm is justified. Little Ol' Boy has all the earmarks...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: May 8, 1933 | 5/8/1933 | See Source »

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