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Such asphalt visionaries may be better off restricting their rural fantasies to improved air quality. Good ol' country living now suffers from that big-city disease known as a rising crime rate, according to the FBI'S annual Uniform Crime Reports released last week. In rural areas, serious crime-murder, rape, burglary, robbery, aggravated assault, larceny and theft-was up 8% in 1975. That increase was a percentage point higher than the crime rise in large cities (pop. over 250,000). Things were even worse in the suburbs, which racked up a 10% increase over 1974. There...
...glass booth-the one with the earphones on, the head bobbing rhythmically, the hands leaping adroitly from twin turntables to control sequencers. He was, and still is, the disc jockey, busily programming your dancing pleasure. Did the little lady want to dance the Hustle or the Muscle? Ol' Deejay had a ditty for every kitty and her boogying big daddy as well. One reason for the rise of the deejay was that he came much cheaper than the rock and rhythm-and-blues bands. Today there are so many deejays spinning vinyl that discotheque owners, to attract audiences...
...high school, Mondale was known as "Crazy Legs" for his exploits on the football field and celebrated for his rich rendition of Ol' Man River at the Elmore theater. He was an intense young man, if an indifferent student, who had formed something called the Republicrat Party while still in junior high...
...what most Americans, accustomed to the stock cars of Darlington and Daytona, might expect. While Medenica's Lola T-340 will never turn world champion Niki Lauda green with envy, it is still a far cry from the souped-up stock cars made famous by the "good ol' boys" of the NASCAR speedway circuit...
...Rated Life. The result is a script that is merely and rather pointlessly anecdotal. It is eager to please in a way that its subject never was. It tries to turn his circle of friends-John Barrymore and the rest -into a bunch of good ol' boys, instead of showing them for what they were: the most viciously self-destructive circle of drunks in Hollywood history, a darkly tragic group. Worse, the film falsifies many of the known facts about Fields in an attempt to create a conventional rags-to-riches show-biz saga. Even Steiger finally goes soft...