Word: old
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Dates: during 1970-1979
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...over the scene. As Pol Pot and Shah Reza Pahlavi were cast by the wayside, to be replaced with governments far worse, if imaginable, than their predecessors, and as Allende fell and his country experienced a similar fate, can Nicaragua expect to 'meet the new boss, same as the old boss," as The Who put despite State Department fears for the worse, is actually comprised mostly of businessmen and U.S.-educated professionals, including only two hard-core leftist guerillas...
...pink, bouncing bimbo. He goes for a new distant star--Dayle Haddon. The camera "catches" her off to the side, pale, immobile, delicate, profoundly beautiful. And you know that after an appropriately titillating interval, you will see her with her clothes off. Dayle Haddon is the antithesis of the old cheerleaders in sports movies; she's liberated, divorced heiress, she reads books, drinks milk and doesn't like football. She rides horses and spends half her day combing their backsides. But she's just as phony, just as much of a lie as Jane Fonda in Tall Story or Talia...
...Shakespeare fashioned his Richard III, Hamlet, Othello, Lear and other major parts. The role is more than three times as long as any other in the play, and the character has been thought to stand for God, Jesus, Fate, Justice, Art, Intellect, the Ideal Ruler, the Colonizer, the Grumpy Old Man, and a host of other things including Shakespeare himself...
...other things depend on the willingness of his superhuman servant Ariel, who hopes to store up enough brownie points to earn freedom from his master. The very name Ariel suggests the "airy spirit" Shakespeare described him to be, though the name is actually a Hebrew one found in the Old Testament, one of whose meanings apparently was 'hearth...
...paid insufficient attention to King Alonso and his five lordly cronies--"that dismal sextet," Agate called them. The actors can do little but go through their plot-serving paces, though someone should have kept Theodore Sorel from going way out of vocal control in Alonso's "billows" speech. As old Gonzalo (a weak retread of Polonius in Hamlet), Daniel Benzali gets an unintended laugh from today's fuel-conscious audience when he outlines his ideal commonwealth as having "no use of...oil." And it is a nice touch, at the end of the play, for him to bow to Caliban...